Witchcraft Destroys Minds & Reaps Souls (also known simply as Witchcraft) is the first album by the American rock band Coven. The album's overtly occult and satanic themes prompted removal from the market soon after its release in 1969. That summer coincided with public hysteria surrounding the Manson family and rampant media speculation about occult influences on the era's counterculture. The album's lyrical themes and visual design were influential on the occult rock and heavy metal genres.

Background

One of the songwriters, James Vincent, appears with the name "Jim Donlinger" on the album. Born James Vincent Dondelinger, he was not a member of the band (prior to this he was in the band Aorta), but was asked by Bill Traut, Coven's producer (and founder of Dunwich Records, whose logo also appears on the album), to write, arrange and co-produce the album together with Traut. Vincent describes the event in negative terms, as a "bizarre album project":

Reception and influence

At the time of its brief initial release, the album was panned by contemporary music critics and publications. Retrospectively, the album is regarded by some to be a classic of its genre, and in some ways set groundbreaking trends for later rock bands. The album marked the first appearance in music of the sign of the horns, inverted crosses, and the phrase "Hail Satan". Today, these are characteristics of the heavy metal genres. According to rock journalist Lester Bangs, "in England lie unskilled laborers like Black Sabbath, which was hyped as a rockin' ritual celebration of the Satanic mass, something like England's answer to Coven". As a further coincidence, Coven's bass guitarist and co-writer (Michael Gregory Osborne) is credited as "Oz Osborne", and the opening track is "Black Sabbath". Kurt Cobain and Nirvana would play the album while driving between shows of their 1990 tour.

Track listing

Personnel

Production