"There'll Be Some Changes Made" ("Changes") is a popular song by Benton Overstreet (composer) and Billy Higgins (lyricist). Published in 1921, the song has flourished in several genres, particularly jazz. The song has endured for as many years as a jazz standard. According to the online The Jazz Discography (an index of jazz-only recordings), "Changes" had been recorded 404 times as of May 2018. The song and its record debut were revolutionary, in that the songwriters (Overstreet and Higgins, the original copyright publisher, Harry Herbert Pace, the vocalist to first record it (Ethel Waters), the owners of Black Swan (the record label), the opera singer (Elizabeth Greenfield) for whom the label was named, and the musicians on the recording led by Fletcher Henderson, were all African American. The production is identified by historians as a notable part of the Harlem Renaissance.

History and popularity milestones

[Ethel Waters

(between 1938 and 1948) (photo: William P. Gottlieb) | upload.wikimedia.org/wikipedia/commons/a/ae/Ethel///Waters///-///William///P.///Gottlieb.jpg]

1920s

The debut recording with Ethel Waters was recorded on Black Swan Records (1921) and rapidly became a hit. Her rendition features the rarely-heard 6-bar instrumental intro, followed by her singing the 1st verse (16 bars, plus 1), then her singing the 1st chorus (16 bars, plus 2), then instruments playing 8, plus 2 bars of the chorus, finishing with her singing the 1st chorus (16 bars, plus 2). Variety magazine, in a fifty-year commemorative issue, included Ethel Waters' recording in its "Hit Parade of a Half-Century (1905–1955)" list for 1923. A 1924 recording by Marion Harris (Brunswick 2651) helped establish it as a standard. Other artists with notable recordings during the 1920s include Josie Miles (Ajax 17087; 1924), Sophie Tucker (Okeh 40921; 1927), and the Chicago Rhythm Kings (Red McKenzie, vocalist; Brunswick 4001; 1928). In jazz discography, which does not include the recordings of Marion Harris or Sophie Tucker, there were 11 recordings of the song during the 1920s.

1930s

Standout recordings from the 1930s include Fats Waller (Bluebird B10322; 1935), Pee Wee Russell's Rhythmakers (HRS (de) 1000; 1938), and Benny Goodman and His Orchestra (Louise Tobin, vocalist, Fletcher Henderson arrangement; Columbia 35210; 1939). In jazz discography, there were 17 recordings of the song during the 1930s, including double takes by (i) Benny Carter and His Swing Quintet (Masters of Jazz (F)MJCD95 CD & Vocalion S46), (ii) Pee Wee Russell's Rhythmakers (both takes on HRS 1001; 1938), (iii) Benny Goodman And His Orchestra (Columbia 35210 & Phontastic (Swd)NOST7606; 1939), and (iv) Eddie Condon And His Chicagoans (Decca 18041 & Meritt 11; 1939).

1940s

1941 was not a good year for newly published popular music due to the ASCAP strike. According to a January 31, 1942, Billboard article, ASCAP members claimed only 2 of the top 13 sellers in sheet music. Five of the remaining 11 were revivals, one of which was "There'll Be Some Changes Made." The 1941 film, Play Girl, gave new life to the song. In 1941, Benny Goodman's 1939 version became a Billboard No. 1 Hit for 4 weeks (during April and May) and peaked at No. 2 on Your Hit Parade. In 1961, BMI published a list, "All-Time Hit Songs, Broadcast Music, Inc., 1940–1960," in Billboard. "There'll Be Some Changes Made" was among the 17 songs listed for 1947. In jazz discography, there were 60 recordings of the song during the 1940s. Notable recordings from the 1940s include Vaughn Monroe and His Orchestra (Marilyn Duke, vocalist; Bluebird B-11025-A; 1941), the Hoosier Hot Shots (Okeh 6114; 1941) and Peggy Lee (Capitol 15001; 1947).

1950s

In early 1959, Billie Holiday did three sessions with Ray Ellis and orchestra for MGM Records in New York: March 3, 4, and 11. She recorded "Changes" in the final session. That session turned out to be the last studio session of her life. She died 4 months, 8 days later — on July 17. The album — released under various titles, notably, Last Recording (MGM SE-3764; 1959) — was posthumously released. In jazz discography, there were 42 recordings of "Changes" during the 1950s.

1960s – current

Notable artists who recorded "Changes" include Ann-Margret on her 1962 album The Vivacious One, Jaki Byard (Muse 5007; 1972), Tony Bennett (Improv 7112; 1973–1977) and Fox Face (Dirtnap Records ZZZ-163; 2021)

2000

In 2004, Tony Bennett sang that song again at the Montreux Jazz Festival with the Phil Collins Big Band accompanied by pianist Ralph Sharon and double bassist Douglas Richeson, and that event can be heard on Collins's 4 CD box set Plays Well with Others published in 2018.

Western swing and country western

Outside of jazz, in western swing, Bob Wills recorded it in 1937 (Vocalion DAL 244-1). In country music, Chet Atkins and Mark Knopfler recorded — on their 1990 Grammy award winning album Neck and Neck — a parody version that references the Dire Straits song "Money for Nothing" ... Money for nothin' and chicks for free

Selected videography, filmography, and stage

Feature films Shorts

Selected discography

<li>[Ethel Waters](https://bliptext.com/articles/ethel-waters), accompanied by Her Jazz Masters Trumpet (unknown), trombone (unknown), [Garvin Bushell](https://bliptext.com/articles/garvin-bushell) (clarinet), possibly Charlie Jackson (violin), [Fletcher Henderson](https://bliptext.com/articles/fletcher-henderson) (piano) Recorded around August 1921, [New York](https://bliptext.com/articles/new-york-city) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Black Swan](https://bliptext.com/articles/black-swan-records) 2021 [Matrix](https://bliptext.com/articles/matrix-number) P147-1 </li> <li>[Josie Miles](https://bliptext.com/articles/josie-miles) With the Choo Choo Jazzers Josie Miles (vocals), [Bob Fuller](https://bliptext.com/articles/bob-fuller) (clarinet), Louis Hooper (piano) Recorded [circa](https://bliptext.com/articles/circa) December 1924, New York City ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Ajax](https://bliptext.com/articles/ajax-records) (Canadian Race label) 17087 [Matrix](https://bliptext.com/articles/matrix-number) 31749</li> <li>[Sophie Tucker](https://bliptext.com/articles/sophie-tucker) Recorded September 3, 1927 ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Matrix](https://bliptext.com/articles/matrix-number) W81314-B [Okeh](https://bliptext.com/articles/okeh-records) 40921 </li> <li>Chicago Rhythm Kings [Red McKenzie](https://bliptext.com/articles/red-mckenzie) (singer), [Muggsy Spanier](https://bliptext.com/articles/muggsy-spanier) (clarinet), [Frank Teschmacher](https://bliptext.com/articles/frank-teschmacher) (clarinet), [Mezz Mezzrow](https://bliptext.com/articles/mezz-mezzrow) (tenor sax), [Joe Sullivan](https://bliptext.com/articles/joe-sullivan) (piano), [Eddie Condon](https://bliptext.com/articles/eddie-condon) (banjo), James W. Lanigan (1902–1983) (tuba), [Gene Krupa](https://bliptext.com/articles/gene-krupa) ([drums](https://bliptext.com/articles/drum-kit)) Recorded April 6, 1928, Chicago [Brunswick](https://bliptext.com/articles/brunswick-records) 4001 Re-release: Classic Jazz Masters 31 </li> <li>[Boswell Sisters](https://bliptext.com/articles/boswell-sisters) [Mannie Klein](https://bliptext.com/articles/mannie-klein) (trumpet), [Tommy Dorsey](https://bliptext.com/articles/tommy-dorsey) (trombone), Jimmy Dorsey (clarinet, alto sax), [Babe Russin](https://bliptext.com/articles/babe-russin) (tenor sax), [Martha Boswell](https://bliptext.com/articles/martha-boswell) (piano, cello), [Eddie Lang](https://bliptext.com/articles/eddie-lang) (guitar), [Artie Bernstein](https://bliptext.com/articles/artie-bernstein) (bass), [Stan King](https://bliptext.com/articles/stan-king-musician) [(de)](https://bliptext.com/articles/de-stan-king) (drums) Recorded March 21, 1932, New York City ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Matrix](https://bliptext.com/articles/matrix-number): 11543-A [Brunswick](https://bliptext.com/articles/brunswick-records) 6291 </li> <li>Roy Newman [(de)](https://bliptext.com/articles/de-roy-newman) and His Boys Recorded October 1, 1935, [Dallas](https://bliptext.com/articles/dallas) Roy Newman (piano), Jim Boyd (born 1914) (brother of musician [Bill Boyd](https://bliptext.com/articles/bill-boyd-musician) brother) (guitar), Earl Brown (guitar), Ish Erwin (bass), Holly Horton (1892–1944) (clarinet), Walter Kirks (tenor banjo), Randall "Buddy" Neal (guitar), Thurman Neal (fiddle) [Matrix](https://bliptext.com/articles/matrix-number): DAL-196-1 [Vocalion](https://bliptext.com/articles/vocalion-records) 03325 </li> <li>[Bob Wills](https://bliptext.com/articles/bob-wills) (1937) Recorded June 1937, [Dallas](https://bliptext.com/articles/dallas) 03902 [Vocalion](https://bliptext.com/articles/vocalion-records) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Matrix](https://bliptext.com/articles/matrix-number) DAL 244-1 (1st [take](https://bliptext.com/articles/take)) </li> <li>[Benny Goodman](https://bliptext.com/articles/benny-goodman) [Louise Tobin](https://bliptext.com/articles/louise-tobin), vocalist Arrangement by [Fletcher Henderson](https://bliptext.com/articles/fletcher-henderson) Recorded August 10, 1939, [Los Angeles](https://bliptext.com/articles/los-angeles) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Columbia](https://bliptext.com/articles/columbia-records) 35210 [Matrix](https://bliptext.com/articles/matrix-number) LA-1947-A (first of 2 takes) </li> <li>[Eddie Condon](https://bliptext.com/articles/eddie-condon) and His Chicagoans (instrumental, no vocals) [Max Kaminsky](https://bliptext.com/articles/max-kaminsky-musician) (trumpet), [Brad Gowans](https://bliptext.com/articles/brad-gowans) (trombone), [Pee Wee Russell](https://bliptext.com/articles/pee-wee-russell) (clarinet), [Bud Freeman](https://bliptext.com/articles/bud-freeman) (tenor sax), [Joe Sullivan](https://bliptext.com/articles/joe-sullivan) (piano), [Eddie Condon](https://bliptext.com/articles/eddie-condon) (guitar), Clyde Newcombe (bass), [Dave Tough](https://bliptext.com/articles/dave-tough) (drums) Recorded August 11, 1939, [New York City](https://bliptext.com/articles/new-york-city) [Matrix](https://bliptext.com/articles/matrix-number) – 66072-A: "There'll Be Some Changes Made" [Matrix](https://bliptext.com/articles/matrix-number) – 66072-B: "There'll Be Some Changes Made" 66072-A: [Decca](https://bliptext.com/articles/decca-records) 18041 66072-B: [Meritt](https://bliptext.com/articles/meritt-records) 11 </li> <li>[Art Tatum](https://bliptext.com/articles/art-tatum) Recorded live July 26 or 27, 1941, at Gee-Haw Stables, New York City [Art Tatum](https://bliptext.com/articles/art-tatum) (piano), [Chocolate Williams](https://bliptext.com/articles/chocolate-williams) (bass) [Ollie Potter](https://bliptext.com/articles/ollie-potter) (vocalist) (born 1900 – DOD not known) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Onyx](https://bliptext.com/articles/onyx-records) ORI205 Track 8 of 8 (see note: †)</li> <li>[Vaughn Monroe](https://bliptext.com/articles/vaughn-monroe) and His Orchestra Recorded January 13, 1941 ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Marylin Duke](https://bliptext.com/articles/marylin-duke) (vocalist) Bobby Nichols (né Robert J. Nichols; 1924–1975) (trumpet solo) [Bluebird](https://bliptext.com/articles/bluebird-records) B-11025-A Side A (matrix 060317=1) </li> <li>[Peggy Lee](https://bliptext.com/articles/peggy-lee) With [Frank de Vol's Orchestra](https://bliptext.com/articles/frank-de-vol) Recorded August 14, 1947, Los Angeles ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Matrix](https://bliptext.com/articles/matrix-number): 2162 Y [Capitol](https://bliptext.com/articles/capitol-records) 15001-B </li> <li>Hy-Lo Trio (vocals and instrumentalist) [78 rpm](https://bliptext.com/articles/gramophone-record) album: Old Tyme Favourites Recorded around 1948, [Boston](https://bliptext.com/articles/boston) Vinnie "Jimmy Cal" Calderone ([accordion](https://bliptext.com/articles/accordion)) Angelo Boncore (né Angelo Joseph Boncore; 1919–2012) (bass) Side B, Track 3 Label: Crystal-Tone (Boston) Re-issue: Family Library of Recorded Music ([Canada](https://bliptext.com/articles/canada)) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) 1007-B </li> <li>[Dinah Washington](https://bliptext.com/articles/dinah-washington) On the album: [Dinah!](https://bliptext.com/articles/dinah-album) Recorded November 11, 1955, [Los Angeles](https://bliptext.com/articles/los-angeles) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Hal Mooney](https://bliptext.com/articles/hal-mooney), arranger Accompanied by [Maynard Ferguson](https://bliptext.com/articles/maynard-ferguson), [Conrad Gozzo](https://bliptext.com/articles/conrad-gozzo), [Ray Linn](https://bliptext.com/articles/ray-linn), [Mannie Klein](https://bliptext.com/articles/mannie-klein) (trumpets); [Tommy Pederson](https://bliptext.com/articles/tommy-pederson), [Frank Rosolino](https://bliptext.com/articles/frank-rosolino), [Si Zentner](https://bliptext.com/articles/si-zentner) (trombones); [Herb Geller](https://bliptext.com/articles/herb-geller), [Skeets Herfurt](https://bliptext.com/articles/skeets-herfurt) (alto saxes); [Georgie Auld](https://bliptext.com/articles/georgie-auld), [Babe Russin](https://bliptext.com/articles/babe-russin) (tenor saxes); Chuck Gentry (né Charles Thomas Gentry; 1911–1987) (bari sax); [Wynton Kelly](https://bliptext.com/articles/wynton-kelly) (piano); [Al Hendrickson](https://bliptext.com/articles/al-hendrickson) [(de)](https://bliptext.com/articles/de-al-hendrickson) (guitar); [Keter Betts](https://bliptext.com/articles/keter-betts) (bass); [Jimmy Cobb](https://bliptext.com/articles/jimmy-cobb) (drums); [Harold "Hal" Mooney](https://bliptext.com/articles/hal-mooney) (director) [Matrix](https://bliptext.com/articles/matrix-number) 12401-4 [EmArcy](https://bliptext.com/articles/emarcy-records) MG36065 </li> <li>[Soundtrack](https://bliptext.com/articles/soundtrack) From the 1957 film [Designing Woman](https://bliptext.com/articles/designing-woman) Album title: Miss [Dolores Gray](https://bliptext.com/articles/dolores-gray): Legendary Star of Stage and Screen ([video](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube))' [Blue Pear Records](https://bliptext.com/articles/blue-pear-records) 1014 </li> <li>[Billie Holiday](https://bliptext.com/articles/billie-holiday) Billie Holiday With Ray Ellis And His Orchestra Accompanied by [Harry "Sweets" Edison](https://bliptext.com/articles/harry-sweets-edison) (trumpet), [Joe Wilder](https://bliptext.com/articles/joe-wilder) (trumpet), [Billy Byers](https://bliptext.com/articles/billy-byers) (trombone), [Al Cohn](https://bliptext.com/articles/al-cohn) (tenor sax), [Danny Bank](https://bliptext.com/articles/danny-bank) (bari sax), [Hank Jones](https://bliptext.com/articles/hank-jones) (piano), [Barry Galbraith](https://bliptext.com/articles/barry-galbraith) (guitar), [Milt Hinton](https://bliptext.com/articles/milt-hinton) (bass), [Osie Johnson](https://bliptext.com/articles/osie-johnson) (drums), [Ray Ellis](https://bliptext.com/articles/ray-ellis) (arranger, conductor) Recorded March 11, 1959 ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [59XY445](https://bliptext.com/articles/matrix-number): "There'll Be Some Changes Made" [MGM](https://bliptext.com/articles/mgm-records) SE-3764 [Verve](https://bliptext.com/articles/verve-records) (E)2304120 (MGM)</li> <li>[Dave Brubeck](https://bliptext.com/articles/dave-brubeck) [Brubeck and Rushing](https://bliptext.com/articles/brubeck-and-rushing) Recorded January 29, 1960, New York City ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Paul Desmond](https://bliptext.com/articles/paul-desmond) (alto sax), Dave Brubeck (piano), [Eugene Wright](https://bliptext.com/articles/eugene-wright) (bass), [Joe Morello](https://bliptext.com/articles/joe-morello) (drums), [Jimmy Rushing](https://bliptext.com/articles/jimmy-rushing) (vocals) [Matrix](https://bliptext.com/articles/matrix-number): CO64697 [Columbia](https://bliptext.com/articles/columbia-records) CL1553 </li> <li>[Julie London](https://bliptext.com/articles/julie-london) [Whatever Julie Wants](https://bliptext.com/articles/whatever-julie-wants) ([LP](https://bliptext.com/articles/lp-record)) With orchestra [Felix Slatkin](https://bliptext.com/articles/felix-slatkin) (conductor) Recorded in [Hollywood](https://bliptext.com/articles/hollywood-los-angeles), [c.](https://bliptext.com/articles/circa), July 1961 [Track](https://bliptext.com/articles/album) B5: "There'll Be Some Changes Made" ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Liberty](https://bliptext.com/articles/liberty-records) LST 7192 ([LP](https://bliptext.com/articles/lp-record)) [US](https://bliptext.com/articles/united-states) (1961) [Liberty](https://bliptext.com/articles/liberty-records) LRP 3192 ([LP](https://bliptext.com/articles/lp-record), [Mono](https://bliptext.com/articles/monaural)) [Australia](https://bliptext.com/articles/australia) (1961) 7" [Reel](https://bliptext.com/articles/reel-to-reel-audio-tape-recording), [4tr](https://bliptext.com/articles/quadraphonic-sound), [Stereo](https://bliptext.com/articles/stereophonic-sound), [Album](https://bliptext.com/articles/album), [Liberty](https://bliptext.com/articles/liberty-records) LT 7192 [US](https://bliptext.com/articles/united-states) (1961) [Promo](https://bliptext.com/articles/promotional-recording), Whi, [Liberty](https://bliptext.com/articles/liberty-records) LRP 3192 ([LP](https://bliptext.com/articles/lp-record), [Mono](https://bliptext.com/articles/monaural)) [US](https://bliptext.com/articles/united-states) (1961) [Longon](https://bliptext.com/articles/london-records) HA-G 2405 ([LP](https://bliptext.com/articles/lp-record), [Mono](https://bliptext.com/articles/monaural)) [UK](https://bliptext.com/articles/united-kingdom) (1961) </li> <li>[Jackie Gleason](https://bliptext.com/articles/jackie-gleason) Recorded 1961; released 1962 Jackie Gleason's Lover's Portfolio [Capitol](https://bliptext.com/articles/capitol-records) SWBO-1619 2 [LPs](https://bliptext.com/articles/lp-record) (compilation) Track B1 (of side A, B, C, D) </li> <li>[Tony Bennett](https://bliptext.com/articles/tony-bennett) On the album: [Life Is Beautiful](https://bliptext.com/articles/life-is-beautiful-tony-bennett-album) Arranged by [Torrie Zito](https://bliptext.com/articles/torrie-zito) Recorded 1975 ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) Tony Bennett (vocals), [Torrie Zito](https://bliptext.com/articles/torrie-zito) (piano), John Guiffrida (bass), Chuck Hughes (drums), and orchestra [Improv](https://bliptext.com/articles/william-d-hassett-jr) 7112 </li> <li>[Soundtrack](https://bliptext.com/articles/soundtrack) (New York) Recorded March 22, 1976, [A & R Recording](https://bliptext.com/articles/a-r-recording), [New York](https://bliptext.com/articles/new-york-city) Original Broadway Cast from: [Bubbling Brown Sugar](https://bliptext.com/articles/bubbling-brown-sugar) [H&L](https://bliptext.com/articles/h-l-records) HL-69011-698 Act 2, Scene 3 Track B4 [Josephine Premice](https://bliptext.com/articles/josephine-premice), vocalist [Amherst Records](https://bliptext.com/articles/avco-records) AMH 3310 ([CD](https://bliptext.com/articles/cd)) </li> <li>[Soundtrack](https://bliptext.com/articles/soundtrack) (London) London Cast from: [Bubbling Brown Sugar](https://bliptext.com/articles/bubbling-brown-sugar) Act 2, Scene 3 Released 1977 [Elaine Delmar](https://bliptext.com/articles/elaine-delmar), vocalist [H&L](https://bliptext.com/articles/h-l-records) HL-69011-698 [Pye](https://bliptext.com/articles/pye-records) ([CD](https://bliptext.com/articles/cd)) </li> <li>[Duke Ellington](https://bliptext.com/articles/duke-ellington) Orchestra [Mercer Ellington](https://bliptext.com/articles/mercer-ellington), director Bruce Miller, arranger A Tribute To Ethel Waters Recorded 1978, [Hollywood](https://bliptext.com/articles/hollywood-los-angeles) ([audio-1](https://bliptext.com/articles/undefined) & [audio-2](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Diahann Carroll](https://bliptext.com/articles/diahann-carroll) (vocals) Orinda ORC4000 </li> <li>[Chet Atkins](https://bliptext.com/articles/chet-atkins) and [Mark Knopfler](https://bliptext.com/articles/mark-knopfler) [Neck and Neck](https://bliptext.com/articles/neck-and-neck) (album) Released October 9, 1990 ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Columbia](https://bliptext.com/articles/columbia-records) </li> <li>Celebrating [Mildred Bailey](https://bliptext.com/articles/mildred-bailey) and [Red Norvo](https://bliptext.com/articles/red-norvo) Recorded April 21, 22, 23, 1996, [Doppler Studios](https://bliptext.com/articles/doppler-studios), [Atlanta](https://bliptext.com/articles/atlanta) ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) [Audiophile](https://bliptext.com/articles/audiophile) A[CD](https://bliptext.com/articles/cd)-295 ([CD](https://bliptext.com/articles/cd)) Daryl Sherman (vocals, piano), [Randy Sandke](https://bliptext.com/articles/randy-sandke) (trumpet), Randy Reinhart (trombone), [Bobby Gordon](https://bliptext.com/articles/bobby-gordon-musician) [(de)](https://bliptext.com/articles/de-bobby-gordon) (clarinet, tenor sax), [John Cocuzzi](https://bliptext.com/articles/john-cocuzzi) (vibes, leader), Mark Shane (piano), [James Chirillo](https://bliptext.com/articles/james-chirillo) (guitar), [Greg Cohen](https://bliptext.com/articles/greg-cohen) (bass), [Joe Ascione](https://bliptext.com/articles/joe-ascione) (drums) </li> <li>[Soundtrack](https://bliptext.com/articles/soundtrack) [Woody Allen](https://bliptext.com/articles/woody-allen)'s 1999 film [Sweet and Lowdown](https://bliptext.com/articles/sweet-and-lowdown) [Byron Stripling](https://bliptext.com/articles/byron-stripling) (trumpet), [Ken Peplowski](https://bliptext.com/articles/ken-peplowski) (clarinet), [Dick Hyman](https://bliptext.com/articles/dick-hyman) (piano), [Howard Alden](https://bliptext.com/articles/howard-alden) (solo guitar), [Bucky Pizzarelli](https://bliptext.com/articles/bucky-pizzarelli) (rhythm guitar), Kelly Friesen (bass), Ted Sommer (drums) Recorded in Hollywood, 1999 Track 5: "There'll Be Some Changes Made" [Sony Classical](https://bliptext.com/articles/sony-classical-records) SK89019 ([CD](https://bliptext.com/articles/cd)) </li> <li>[Scott Hamilton](https://bliptext.com/articles/scott-hamilton-musician) Live in Bern: Scott Hamilton & Jeff Hamilton Trio Live at Marian's Jazzroom, [Bern, Switzerland](https://bliptext.com/articles/bern-switzerland), May 18, 2014 ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube)) Scott Hamilton (tenor sax), [Tamir Hendelman](https://bliptext.com/articles/tamir-hendelman) (piano), Christoph Luty (bass), [Jeff Hamilton](https://bliptext.com/articles/jeff-hamilton-drummer) ([drums](https://bliptext.com/articles/drum-kit)) [Track](https://bliptext.com/articles/album) 7: "There'll Be Some Changes Made" [Capri](https://bliptext.com/articles/capri-records-jazz-record-label) 74139-2 ([CD](https://bliptext.com/articles/cd)) </li></ol> <li>[Duke Ellington](https://bliptext.com/articles/duke-ellington) and his Orchestra Live: June 1, 1957, Sunset Ballroom Near [Carrolltown, Pennsylvania](https://bliptext.com/articles/carrolltown-pennsylvania) [Shorty Baker](https://bliptext.com/articles/shorty-baker) (trumpet), [Quentin Jackson](https://bliptext.com/articles/quentin-jackson) (trombone), [Russell Procope](https://bliptext.com/articles/russell-procope) (clarinet), [Duke Ellington](https://bliptext.com/articles/duke-ellington) (piano), [Joe Benjamin](https://bliptext.com/articles/joe-benjamin) (bass), [Sam Woodyard](https://bliptext.com/articles/sam-woodyard) (drums)</li></ol>

Selected rollography (player pianos)

<li>MelOdee 1257 Melodee Music Co., Inc.</li> <li>[QRS](https://bliptext.com/articles/qrs-records) 7389 February 1941 [Fats Waller](https://bliptext.com/articles/fats-waller), piano roll artist</li> <li>[QRS](https://bliptext.com/articles/qrs-records) Word Roll 8316 [J. Lawrence Cook](https://bliptext.com/articles/j-lawrence-cook), piano roll artist ([audio](https://bliptext.com/articles/undefined) on [YouTube](https://bliptext.com/articles/youtube))</li> <li>[Aeolian](https://bliptext.com/articles/aeolian-company) 1741 [J. Lawrence Cook](https://bliptext.com/articles/j-lawrence-cook), piano roll artist</li></ol>

Copyrights

<hr style="color:#A9A9A9;width:20em" /> <hr style="color:#A9A9A9;width:20em" />

Sheet music covers

Edward B. Marks Corporation was the publisher of "There'll Be Some Changes Made." The sheet music cover design, artwork by Irving Politzer (1898–1972), featured portraits of performers who had recorded the song. Those appearing on covers include Marion Harris, Ruth Etting, and Benny Goodman.

Subtitle on some sheet music covers

Some sheet music covers, even 1st editions, included the subtitle, in parentheses, "Philosophic Blues."