The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor. The Show of Shows was Warner Bros.' fifth color film; the first four were The Desert Song (1929), On with the Show! (1929), Gold Diggers of Broadway (1929) and Paris (1929). (Song of the West was actually completed by June 1929 but had its release delayed until March 1930). The Show of Shows featured most of the contemporary Warner Bros. film stars, including John Barrymore, Richard Barthelmess, Noah Beery Sr., Loretta Young, Dolores Costello, Bull Montana, Myrna Loy, Chester Conklin, Douglas Fairbanks Jr., Tully Marshall, Nick Lucas, and Betty Compson.

Overview

The film was styled in the same format as the earlier Metro-Goldwyn-Mayer film The Hollywood Revue of 1929. The high budget of the film meant that although it performed well at the box office, it did not return as much profit as The Hollywood Revue of 1929. The Show of Shows was originally meant to be and advertised as being an all-color talking movie; however, twenty-one minutes were in black and white—17 minutes of the first part and the first four minutes of part two. The film features nearly all the stars then working under contract at Warner Bros. Virtually all the performers shown would vanish from the studio by 1931, after tastes had shifted owing to the effects of the Great Depression, which began to be felt late in 1930. The Show of Shows features many of the performers who were popular in silent movies mixed in with hand-picked stage stars and novelty acts. The emcee of the film was Frank Fay, who performed in the style of barbed sarcasm. In an era of almost naive optimism, he stands out as a witty devil's advocate.

Segments

Songs featured

Cast

Credited

Uncredited

Boxoffice

According to Warner Bros. records, the film earned $1,259,000 domestically and $336,000 internationally.

Out-takes

Three specialty acts were filmed for the feature-length revue but deleted from the final release print. Each was released separately in 1930 as a Vitaphone short subject:

Preservation status

The Show of Shows still survives in a black-and-white 1958 print from an Associated Artists Productions. Certain segments in color of the film have been recovered. As of June 2018, these are as follows (in the order of their presentation in the film):

1. "Meet My Sister" – Sequence was shown publicly at the 2015 TCM Classic Film Festival.
2. "Chinese Fantasy" – Entire sequence is present in commercially available copies of the film.
3. "Frank Fay With Sid Silvers" – An announcement was made in July 2017 by the Vitaphone Project that portions of this sequence have been recovered, and preservation is ongoing.
4. "A Bicycle Built For Two" – An announcement was made in July 2017 by the Vitaphone Project that portions of this sequence have also been recovered, and preservation is ongoing.
5. "If Your Best Friend Won't Tell You" – An announcement was made in July 2017 by the Vitaphone Project that portions of this sequence have also been recovered, and preservation is ongoing.
6. "King Richard III" – At least one Technicolor specimen frame is known to exist. This sequence should not be confused with a color test John Barrymore made for RKO in 1933; that test involved a recitation from "Hamlet."
7. "Finale" – A six-minute segment of this sequence was shown publicly in Australia ca. 1978; this particular print is believed to have been destroyed in the late 1980s. The British Film Archive has extracts from this scene along with snippets from other early film musicals. At least one Technicolor specimen frame from this sequence is known to exist.
8. "Curtain of Stars" – A four-second segment of this sequence was restored by the George Eastman House. The Library of Congress maintains a copy (since the 1970s) of the black/white version. In 2022, an unofficial reconstructed Colorized version was uploaded online. It appears to be colorization by artificial intelligence, and does not display the real Technicolor footage.