Stabat Mater, FP 148, is a musical setting of the Stabat Mater sequence composed by Francis Poulenc in 1950.

Background

Poulenc wrote the piece in response to the death of his friend, artist Christian Bérard; he considered writing a Requiem for Bérard, but, after returning to the shrine of the Black Virgin of Rocamadour, he selected the medieval Stabat Mater text. Poulenc's setting, scored for soprano solo, mixed chorus, and orchestra, premiered on the 13th of June 1951 at the Strasbourg Festival. It was well received throughout Europe and in the United States where it won the New York Critic's Circle Award for Best Choral Work of the year.

Structure

The Stabat Mater is divided into twelve movements, which vary dramatically in character from somber to light and frivolous, even on the most serious of texts. All the movements, though, are relatively brief; Robert Shaw's Telarc recording runs just under 30 minutes, with the longest movement taking just over four minutes. The soprano soloist appears in only three movements: Vidit suum, Fac ut portem, and Quando corpus. The chorus appears largely a cappella in two others, O quam tristis and Fac ut ardeat, although the orchestra is not fully silent in either.

Instrumentation

Recordings

Source texts