The Safvat as-safa, also spelled Safvat al-safa or Safwat al-safa, is a Persian hagiography of the Sufi shaykh Safi-ad-Din Ardabili (1252–1334), founder of the Safaviya sufi order.

Author

The Safvat as-safa was written by Ibn Bazzaz, a disciple of Safi ad-Din's son and successor, Sadr al-Dīn Mūsā, who prompted him to write the work. He probably completed it in 1358. Little else is known of his life.

Content

The work is divided into an introduction, 12 chapters, and a conclusion. Only two of the chapters (chapters 2 and 11) deal with the circumstances of his life. Most of the rest of the book recounts numerous episodes of the shaykh performing miraculous feats. The work also includes Shaykh Safi's commentaries on various passages of the Qur'an and hadith. The contents may be summarized as follows:

Safavid-era revisions

Shaykh Safi ad-Din was a Sunni and an adherent of the Shafi'i school of law. In 1501 the Sufi order he founded became the ruling family in Safavid Iran, but they converted to [Shiism](https://bliptext.com/articles/shia-islam) while at the same time continuing their role as head of the order. Certain elements in the Safvat as-safa, particularly Shaykh Safi's genealogy and his religious views, became inconsistent with the Safavid dynasty's self-image. Therefore, in 1542, Shah [Tahmasp I](https://bliptext.com/articles/tahmasp-i) ((r. undefined – undefined)1524-1576) commissioned Mir Abu al-Fat'h Husayni to revise the Safvat as-safa to give it an explicit Shii tone. This official version contains textual changes designed to obscure the Kurdish origins of the Safavid family and to vindicate their claim to descent from the Imams.

Editions

There have been two published editions of the Safvat as-Safa. The first was a lithographed edition prepared by Mirza Ahmad ibn Hajj Karim Tabrizi and published in Bombay in 1911. This has traditionally been the standard edition used by scholars, who call it the Bombay lithograph. The second published edition appeared in 1994 in Tehran, edited by Ghulam Reza Tabataba'i Majd. Since Majd based his edition on a larger set of manuscripts of better quality, it may become the new scholarly standard.

Sources