{"history":[],"article":{"id":"0702b70c-6ff5-4a9b-b1a7-6c80d662af04","title":"Rattlesnakes (album)","slug":"rattlesnakes-album","content":":::summary\n![Rattlesnakes](https://upload.wikimedia.org/wikipedia/en/0/01/Rattlesnakes.jpg)\n**Name:** Rattlesnakes \n**Type:** studio \n**Artist:** [Lloyd Cole and the Commotions](https://bliptext.com/articles/lloyd-cole-and-the-commotions) \n**Released:** October 12, 1984 \n**Recorded:** 1984 \n**Studio:** [The Garden](https://bliptext.com/articles/the-garden-recording-studio), London \n**Genre:** [Jangle pop](https://bliptext.com/articles/jangle-pop) · [college rock](https://bliptext.com/articles/college-rock) · [folk rock](https://bliptext.com/articles/folk-rock) \n**Length:** 35:29 \n**Label:** [Polydor](https://bliptext.com/articles/polydor-records) (UK and Europe) · [Geffen](https://bliptext.com/articles/geffen-records) (US and Canada) \n**Producer:** [Paul Hardiman](https://bliptext.com/articles/paul-hardiman) \n**Next Title:** [Easy Pieces](https://bliptext.com/articles/easy-pieces) \n**Next Year:** 1985 \n:::\n\n# \n**Rattlesnakes** is the debut studio album by the British [rock](https://bliptext.com/articles/rock-music) and [pop](https://bliptext.com/articles/pop-music) band [Lloyd Cole and the Commotions](https://bliptext.com/articles/lloyd-cole-and-the-commotions), released on 12 October 1984 by [Polydor Records](https://bliptext.com/articles/polydor-records).\nThe album reached number 13 on the [UK Albums Chart](https://bliptext.com/articles/uk-albums-chart) and included the singles \"[Perfect Skin](https://bliptext.com/articles/perfect-skin-lloyd-cole-and-the-commotions-song)\" (number 26 in UK), \"[Forest Fire](https://bliptext.com/articles/forest-fire-song)\" (number 41 in UK, number 25 in New Zealand) and \"[Rattlesnakes](https://bliptext.com/articles/rattlesnakes-song)\" (number 65 in UK, number 31 in the Netherlands).\n\n# Composition and recording\nThe bulk of the album was written by frontman [Lloyd Cole](https://bliptext.com/articles/lloyd-cole), who formed the band while a student at the [University of Glasgow](https://bliptext.com/articles/university-of-glasgow).\nCole cited [Bob Dylan](https://bliptext.com/articles/bob-dylan) and [Booker T. & the M.G.'s](https://bliptext.com/articles/booker-t-the-m-g-s) as major influences, but also noted the impact of his studies in [English](https://bliptext.com/articles/english-studies) and [philosophy](https://bliptext.com/articles/philosophy) on both the album's title, a reference to the novel [Play It as It Lays](https://bliptext.com/articles/play-it-as-it-lays) (1970) by [Joan Didion](https://bliptext.com/articles/joan-didion), and its lyrics, which also reference [Renata Adler](https://bliptext.com/articles/renata-adler), [Simone de Beauvoir](https://bliptext.com/articles/simone-de-beauvoir) and [Norman Mailer](https://bliptext.com/articles/norman-mailer).\nThe album's songs were written at [Glasgow Golf Club](https://bliptext.com/articles/glasgow-golf-club), where Cole's father worked as club master and where the family lived.\nCole recalled, \" '[Perfect Skin](https://bliptext.com/articles/perfect-skin-lloyd-cole-and-the-commotions-song)' and '[Forest Fire](https://bliptext.com/articles/forest-fire-song)' were written one weekend in the basement, underneath the golf club where we used to live and my parents used to work. We'd got our publishing deal so we bought a [Portastudio](https://bliptext.com/articles/portastudio), a [[Yamaha] DX7](https://bliptext.com/articles/yamaha-dx7) and a [drum machine](https://bliptext.com/articles/drum-machine). I [demo](https://bliptext.com/articles/demo-music)-ed both of them that weekend and we had a record deal within a month of that; it was that quick. Every single song on Rattlesnakes was written within a year of the record coming out.\"\nCole described the songs on Rattlesnakes as \"about the things people do when they are in love. People get in all sorts of weird scenarios and I quite like the idea of that. I write about that more than anything. Sometimes it is comic, sometimes tragic, sometimes funny and tragic at the same time. After years of trying to deny it, I'm also starting to realise that I basically write about myself.\"\nHe later reflected, \"It's like most of [the characters in the songs] live in that same basement flat. It's very romanticised.\"\nAfter the Commotions broke up, he later stated to being embarrassed by some of his lyrics on Rattlesnakes: \"'She looks like [Eve Marie Saint](https://bliptext.com/articles/eva-marie-saint) [sic]/In [On the Waterfront](https://bliptext.com/articles/on-the-waterfront)'. Yes, some of the earlier lyrics were very naive. But I was a young man! I really was. You can just imagine me trying to wear a French trenchcoat at the time, thinking I looked very cool when, in fact, I looked really stupid. But maybe that's why people liked it.\"\nThe track \"Speedboat\" was inspired by the [1976 novel of the same name](https://bliptext.com/articles/speedboat-novel) by Renata Adler.\nIn the book the narrator is startled when a rat runs across the table in the restaurant where she and her partner are dining, and her partner says, 'You were all right there until you lost your cool\": Cole said that he stole the line and included it in the song because he loved the phrase. Cole stated that \"Down on Mission Street\" is \"about a character who says he'll never look back and will step all over other people\". The character in \"Charlotte Street\" is \"based very closely on me.\nMy idea of romance obviously is meeting a wonderful, beautiful girl in the library.\nI wrote that song and it took me a year to realise that I hadn't actually mentioned that it was set in a library.\nI forgot to put that in, which is a bit stupid really.\" Of the album's closing track \"Are You Ready to be Heartbroken?\", he said, \"It's about being so in love there's only one way to go – if you get so happy then you're ready to be heartbroken\".\nThe album was recorded during the British summer of 1984 at [The Garden](https://bliptext.com/articles/the-garden-recording-studio) studios in [Shoreditch](https://bliptext.com/articles/shoreditch) in east London (built and owned by original [Ultravox](https://bliptext.com/articles/ultravox) frontman [John Foxx](https://bliptext.com/articles/john-foxx)), with [Paul Hardiman](https://bliptext.com/articles/paul-hardiman) producing.\nAll the band members remembered the recording of Rattlesnakes as a very easy and relaxed process: bassist [Lawrence Donegan](https://bliptext.com/articles/lawrence-donegan) later said, \"Every day we'd arrive at the studio, lay down a few backing tracks, nip along to [Brick Lane](https://bliptext.com/articles/brick-lane) for a curry and some pints, then head back and record some more. The album was finished in a month. Happy days indeed.\"\nGuitarist [Neil Clark](https://bliptext.com/articles/neil-clark-musician) added, \"It was great... Paul Hardiman was great to work with and the weather was great. We just went in and did our stuff. It was like the best job ever at the time. We'd start at 10am and finish at 6pm, though I did the 'Forest Fire' solo late one night but that was an exception. We were well organised and we'd played the songs in.\"\nThe album cover is a picture by photographer Robert Farber which was chosen by design company Da Gama from a selection of stock photographs.\n\n# Critical reception\nThe reception for the UK music magazines at the time of the album's release was generally very positive.\n[Sounds](https://bliptext.com/articles/sounds-magazine) stated, \"Rattlesnakes is a wonderful LP, the most refreshing, uncontrived gorgeous lump of gold to be mined from Scotland in ages, pursuing the alternately vibrant and tender pop courses discovered by 'Perfect Skin' and the classic 'Forest Fire'. And it still finds time for excursions into Dylanesque string-embellished balladry, age-old blues licks or eloquent country melody, all led on by the infinitely capable guitar of Neil Clarke (sic).\"\n[Record Mirror](https://bliptext.com/articles/record-mirror) felt that they could \"forgive Lloyd Cole his pretentions towards poetry; his band and he have made one of the best debut albums for a long time\".\n[NME](https://bliptext.com/articles/nme) ranked it number 21 among the \"Albums of the Year\" for 1984 and said, \"Is there anyone who doesn't like Cole and his cronies, who have made [the Velvets](https://bliptext.com/articles/the-velvet-underground) do a part [C&W](https://bliptext.com/articles/country-music) album and part [deep-south](https://bliptext.com/articles/deep-south) blues-funk – gentle, self-mocking, inoffensive and superbly balanced. Every song is instantly memorable.\"\n[Melody Maker](https://bliptext.com/articles/melody-maker) was somewhat more critical, believing that \"like [Orange Juice](https://bliptext.com/articles/orange-juice-band)'s [Texas Fever](https://bliptext.com/articles/texas-fever) and [ABC](https://bliptext.com/articles/abc-band)'s [The Lexicon of Love](https://bliptext.com/articles/the-lexicon-of-love), Rattlesnakes is an album of cynicism masquerading as romance. It's about past pop's legacy to the present, rather than love or hate or any of the emotions it feigns. It's about how modes of expression haven't moved on one iota from early Bob Dylan, how a generation bereft of its own voice falls back on playing with the language of its peers.\"\nHowever, the review went on to state that the album had much to commend it and admitted that it \"had been too hard here on purpose because this record's good enough to stand it. Compared to most else around, it's a gem but Rattlesnakes cried out to shed some of that perfect skin. Then, maybe, we'd believe as well as admire.\"\nIn the US the reviews were also favourable.\n[Spin](https://bliptext.com/articles/spin-magazine) claimed that \"Lloyd Cole and the Commotions are the most interesting new band since [Jonathan Richman](https://bliptext.com/articles/jonathan-richman) and [the Modern Lovers](https://bliptext.com/articles/the-modern-lovers), and Rattlesnakes is a brilliant first album... This is the first album I've heard of late that rejects the techno-pop banality we've been drowning in without being overly self-conscious in its minimalism or wearing a chip on its shoulder.\"\n[Rolling Stone](https://bliptext.com/articles/rolling-stone) felt \"too much of Rattlesnakes [...] sounds like [Lou Reed](https://bliptext.com/articles/lou-reed), [Tom Verlaine](https://bliptext.com/articles/tom-verlaine) and Bob Dylan doing the best of Lloyd Cole... But if Rattlesnakes arrives critically short of the greatness claimed for it in the British rock press, its promise is not so easily dismissed... A few more songs like [\"Perfect Skin\"] and the man really could start a commotion.\"\nReviewing the 2004 reissue, [Mojo](https://bliptext.com/articles/mojo-magazine) hailed Rattlesnakes as \"a timeless pop album\".\n[Q](https://bliptext.com/articles/q-magazine) was less enthusiastic, observing that \"the results were, and remain, equal parts irritating and beguiling\".\nCalling the record \"one of the finest debuts of the '80s\", [AllMusic](https://bliptext.com/articles/allmusic) stated that \"Rattlesnakes is a [college rock](https://bliptext.com/articles/college-rock) masterpiece of smart, ironic lyrics and sympathetic folk-rock-based melodies\".\n\n# Track listing\nAll lyrics by [Lloyd Cole](https://bliptext.com/articles/lloyd-cole), all music composed by Cole except where noted.\n**Side one**\n**Side two**\n

\"Charlotte Street\" – 3:55\n

\"2cv\" – 2:52\n

\"Four Flights Up\" (Cole, [Lawrence Donegan](https://bliptext.com/articles/lawrence-donegan)) – 2:37\n

\"Patience\" (Cole, [Blair Cowan](https://bliptext.com/articles/blair-cowan-musician)) – 3:40\n

\"[Are You Ready to Be Heartbroken?](https://bliptext.com/articles/are-you-ready-to-be-heartbroken)\" (Cole, Clark) – 3:06\n\nOn the North American version of the album, released on [Geffen Records](https://bliptext.com/articles/geffen-records), the tracks \"Perfect Skin\", \"Four Flights Up\" and \"Patience\" were remixed by [Ric Ocasek](https://bliptext.com/articles/ric-ocasek) of [new wave](https://bliptext.com/articles/new-wave-music) band [the Cars](https://bliptext.com/articles/the-cars).\n\n## 1985 CD bonus tracks\nThe album was first released on [CD](https://bliptext.com/articles/compact-disc) in April 1985, six months after the LP/cassette.\nThe CD included four additional songs, all of which had been [B-sides](https://bliptext.com/articles/a-side-and-b-side) to the singles.\n

\"Sweetness\" (B-side of \"Rattlesnakes\") – 2:48\n

\"Andy's Babies\" (Cole, Donegan) (B-side of \"Forest Fire\") – 2:50\n

\"The Sea and the Sand\" (B-side of \"Perfect Skin\" 7\" and 12\") – 3:02\n

\"You Will Never Be No Good\" (Cole, Cowan) (B-side of \"Perfect Skin\" 12\") – 2:41 \nThe CD also included the extended version of \"Forest Fire\", which had appeared on the 12\" version of the single. At 5:11 it is almost 40 seconds longer than both the 7\" single and original album versions.\nThe Deluxe Edition released in 2004 reverted to the shorter version.\n\n## 2004 Deluxe Edition\nIn 2004, the band reformed for a brief reunion tour of the UK and Ireland to commemorate the album's 20th anniversary.\nAt the same time, a 2-CD deluxe edition of the album was released on [Universal International](https://bliptext.com/articles/universal-international) and [Capitol Records](https://bliptext.com/articles/capitol-records) in North America.\nIt comprised the ten original album tracks on the first disc, and the four tracks from the CD version and 14 additional tracks, including demos, concert and radio performances, on the second disc.\nThe extended version of \"Forest Fire\" was not included on this edition.\nThe album was remastered by Gary Moore from the original master tapes where possible.\nThe CD booklet included comments from Cole and the rest of the band on the various tracks.\nThe BBC tracks were included on the album Live at the BBC Volume 1 released in 2007.\n**Disc one**: As original LP/cassette version of album.\n**Disc two**:\n**Demos**\n**Live**\n

\"Glory\" ([Tom Verlaine](https://bliptext.com/articles/tom-verlaine)) Live at Nightmoves (15 June 1984) – 2:29\n

\"Beautiful City\" Live at [The Marquee](https://bliptext.com/articles/marquee-club) (5 November 1984) – 3:43\n

\"Charlotte Street\" Live at The Marquee (5 November 1984) – 3:40\n

\"Sweetness\" Live at [The Barrowlands](https://bliptext.com/articles/barrowland-ballroom) (9 September 1985) – 2:42\n

\"2cv\" Live at The Barrowlands (9 September 1985) – 2:50\n\n**Radio Sessions**\n

\"Patience\" (Cole, Cowan) Saturday Live – [BBC Radio 1](https://bliptext.com/articles/bbc-radio-1) Session (26 May 1984) – 3:21\n

\"Forest Fire\" [Richard Skinner](https://bliptext.com/articles/richard-skinner-broadcaster) Session – BBC Radio 1 (5 July 1984) – 4:13\n

\"Speedboat\" Richard Skinner Session – BBC Radio 1 (5 July 1984) – 3:59\n

\"Rattlesnakes\" (Cole, Clark) Richard Skinner Session – BBC Radio 1 (5 July 1984) – 3:29\n\n**B-sides/out takes**\n

\"The Sea and the Sand\" – 3:03\n

\"You Will Never Be No Good\" (Cole, Cowan) – 2:39\n

\"Andy's Babies\" (Cole, Donegan) – 2:52\n

\"Glory\" (Tom Verlaine) (B-side of 12\" of \"Forest Fire\") – 2:39

\"Sweetness\" – 2:51

\"Beautiful City\" (Rattlesnakes recording) – 3:37

\"Jesus Said\" (Cole, Clark) (B-side of \"[My Bag](https://bliptext.com/articles/my-bag-song)\") – 3:13 \n\n# Personnel\n**Lloyd Cole and the Commotions**\n**Production**\n**Artwork**\n\n# Charts\n\n# Certifications\n\n# Release history","current_revision":null,"created_by":"kACnuQmH5k9Nr5VNVEpVeg7XpvUmMctD","created_at":"2025-01-26T09:58:11.865Z","updated_at":"2025-01-26T09:58:11.865Z","search_vector":"'album':2 'rattlesnak':1","search_content":" \n \n**Name:** Rattlesnakes \n**Type:** studio \n**Artist:** [Lloyd Cole and the Commotions](https://bliptext.com/articles/lloyd-cole-and-the-commotions) \n**Released:** October 12, 1984 \n**Recorded:** 1984 \n**Studio:** [The Garden](https://bliptext.com/articles/the-garden-recording-studio), London \n**Genre:** [Jangle pop](https://bliptext.com/articles/jangle-pop) · [college rock](https://bliptext.com/articles/college-rock) · [folk rock](https://bliptext.com/articles/folk-rock) \n**Length:** 35:29 \n**Label:** [Polydor](https://bliptext.com/articles/polydor-records) (UK and Europe) · [Geffen](https://bliptext.com/articles/geffen-records) (US and Canada) \n**Producer:** [Paul Hardiman](https://bliptext.com/articles/paul-hardiman) \n**Next Title:** [Easy Pieces](https://bliptext.com/articles/easy-pieces) \n**Next Year:** 1985 \n \n\n# \n**Rattlesnakes** is the debut studio album by the British [rock](https://bliptext.com/articles/rock-music) and [pop](https://bliptext.com/articles/pop-music) band [Lloyd Cole and the Commotions](https://bliptext.com/articles/lloyd-cole-and-the-commotions), released on 12 October 1984 by [Polydor Records](https://bliptext.com/articles/polydor-records).\nThe album reached number 13 on the [UK Albums Chart](https://bliptext.com/articles/uk-albums-chart) and included the singles \"[Perfect Skin](https://bliptext.com/articles/perfect-skin-lloyd-cole-and-the-commotions-song)\" (number 26 in UK), \"[Forest Fire](https://bliptext.com/articles/forest-fire-song)\" (number 41 in UK, number 25 in New Zealand) and \"[Rattlesnakes](https://bliptext.com/articles/rattlesnakes-song)\" (number 65 in UK, number 31 in the Netherlands).\n\n# Composition and recording\nThe bulk of the album was written by frontman [Lloyd Cole](https://bliptext.com/articles/lloyd-cole), who formed the band while a student at the [University of Glasgow](https://bliptext.com/articles/university-of-glasgow).\nCole cited [Bob Dylan](https://bliptext.com/articles/bob-dylan) and [Booker T. & the M.G.'s](https://bliptext.com/articles/booker-t-the-m-g-s) as major influences, but also noted the impact of his studies in [English](https://bliptext.com/articles/english-studies) and [philosophy](https://bliptext.com/articles/philosophy) on both the album's title, a reference to the novel [Play It as It Lays](https://bliptext.com/articles/play-it-as-it-lays) (1970) by [Joan Didion](https://bliptext.com/articles/joan-didion), and its lyrics, which also reference [Renata Adler](https://bliptext.com/articles/renata-adler), [Simone de Beauvoir](https://bliptext.com/articles/simone-de-beauvoir) and [Norman Mailer](https://bliptext.com/articles/norman-mailer).\nThe album's songs were written at [Glasgow Golf Club](https://bliptext.com/articles/glasgow-golf-club), where Cole's father worked as club master and where the family lived.\nCole recalled, \" '[Perfect Skin](https://bliptext.com/articles/perfect-skin-lloyd-cole-and-the-commotions-song)' and '[Forest Fire](https://bliptext.com/articles/forest-fire-song)' were written one weekend in the basement, underneath the golf club where we used to live and my parents used to work. We'd got our publishing deal so we bought a [Portastudio](https://bliptext.com/articles/portastudio), a [[Yamaha] DX7](https://bliptext.com/articles/yamaha-dx7) and a [drum machine](https://bliptext.com/articles/drum-machine). I [demo](https://bliptext.com/articles/demo-music)-ed both of them that weekend and we had a record deal within a month of that; it was that quick. Every single song on Rattlesnakes was written within a year of the record coming out.\"\nCole described the songs on Rattlesnakes as \"about the things people do when they are in love. People get in all sorts of weird scenarios and I quite like the idea of that. I write about that more than anything. Sometimes it is comic, sometimes tragic, sometimes funny and tragic at the same time. After years of trying to deny it, I'm also starting to realise that I basically write about myself.\"\nHe later reflected, \"It's like most of [the characters in the songs] live in that same basement flat. It's very romanticised.\"\nAfter the Commotions broke up, he later stated to being embarrassed by some of his lyrics on Rattlesnakes: \"'She looks like [Eve Marie Saint](https://bliptext.com/articles/eva-marie-saint) [sic]/In [On the Waterfront](https://bliptext.com/articles/on-the-waterfront)'. Yes, some of the earlier lyrics were very naive. But I was a young man! I really was. You can just imagine me trying to wear a French trenchcoat at the time, thinking I looked very cool when, in fact, I looked really stupid. But maybe that's why people liked it.\"\nThe track \"Speedboat\" was inspired by the [1976 novel of the same name](https://bliptext.com/articles/speedboat-novel) by Renata Adler.\nIn the book the narrator is startled when a rat runs across the table in the restaurant where she and her partner are dining, and her partner says, 'You were all right there until you lost your cool\": Cole said that he stole the line and included it in the song because he loved the phrase. Cole stated that \"Down on Mission Street\" is \"about a character who says he'll never look back and will step all over other people\". The character in \"Charlotte Street\" is \"based very closely on me.\nMy idea of romance obviously is meeting a wonderful, beautiful girl in the library.\nI wrote that song and it took me a year to realise that I hadn't actually mentioned that it was set in a library.\nI forgot to put that in, which is a bit stupid really.\" Of the album's closing track \"Are You Ready to be Heartbroken?\", he said, \"It's about being so in love there's only one way to go – if you get so happy then you're ready to be heartbroken\".\nThe album was recorded during the British summer of 1984 at [The Garden](https://bliptext.com/articles/the-garden-recording-studio) studios in [Shoreditch](https://bliptext.com/articles/shoreditch) in east London (built and owned by original [Ultravox](https://bliptext.com/articles/ultravox) frontman [John Foxx](https://bliptext.com/articles/john-foxx)), with [Paul Hardiman](https://bliptext.com/articles/paul-hardiman) producing.\nAll the band members remembered the recording of Rattlesnakes as a very easy and relaxed process: bassist [Lawrence Donegan](https://bliptext.com/articles/lawrence-donegan) later said, \"Every day we'd arrive at the studio, lay down a few backing tracks, nip along to [Brick Lane](https://bliptext.com/articles/brick-lane) for a curry and some pints, then head back and record some more. The album was finished in a month. Happy days indeed.\"\nGuitarist [Neil Clark](https://bliptext.com/articles/neil-clark-musician) added, \"It was great... Paul Hardiman was great to work with and the weather was great. We just went in and did our stuff. It was like the best job ever at the time. We'd start at 10am and finish at 6pm, though I did the 'Forest Fire' solo late one night but that was an exception. We were well organised and we'd played the songs in.\"\nThe album cover is a picture by photographer Robert Farber which was chosen by design company Da Gama from a selection of stock photographs.\n\n# Critical reception\nThe reception for the UK music magazines at the time of the album's release was generally very positive.\n[Sounds](https://bliptext.com/articles/sounds-magazine) stated, \"Rattlesnakes is a wonderful LP, the most refreshing, uncontrived gorgeous lump of gold to be mined from Scotland in ages, pursuing the alternately vibrant and tender pop courses discovered by 'Perfect Skin' and the classic 'Forest Fire'. And it still finds time for excursions into Dylanesque string-embellished balladry, age-old blues licks or eloquent country melody, all led on by the infinitely capable guitar of Neil Clarke (sic).\"\n[Record Mirror](https://bliptext.com/articles/record-mirror) felt that they could \"forgive Lloyd Cole his pretentions towards poetry; his band and he have made one of the best debut albums for a long time\".\n[NME](https://bliptext.com/articles/nme) ranked it number 21 among the \"Albums of the Year\" for 1984 and said, \"Is there anyone who doesn't like Cole and his cronies, who have made [the Velvets](https://bliptext.com/articles/the-velvet-underground) do a part [C&W](https://bliptext.com/articles/country-music) album and part [deep-south](https://bliptext.com/articles/deep-south) blues-funk – gentle, self-mocking, inoffensive and superbly balanced. Every song is instantly memorable.\"\n[Melody Maker](https://bliptext.com/articles/melody-maker) was somewhat more critical, believing that \"like [Orange Juice](https://bliptext.com/articles/orange-juice-band)'s [Texas Fever](https://bliptext.com/articles/texas-fever) and [ABC](https://bliptext.com/articles/abc-band)'s [The Lexicon of Love](https://bliptext.com/articles/the-lexicon-of-love), Rattlesnakes is an album of cynicism masquerading as romance. It's about past pop's legacy to the present, rather than love or hate or any of the emotions it feigns. It's about how modes of expression haven't moved on one iota from early Bob Dylan, how a generation bereft of its own voice falls back on playing with the language of its peers.\"\nHowever, the review went on to state that the album had much to commend it and admitted that it \"had been too hard here on purpose because this record's good enough to stand it. Compared to most else around, it's a gem but Rattlesnakes cried out to shed some of that perfect skin. Then, maybe, we'd believe as well as admire.\"\nIn the US the reviews were also favourable.\n[Spin](https://bliptext.com/articles/spin-magazine) claimed that \"Lloyd Cole and the Commotions are the most interesting new band since [Jonathan Richman](https://bliptext.com/articles/jonathan-richman) and [the Modern Lovers](https://bliptext.com/articles/the-modern-lovers), and Rattlesnakes is a brilliant first album... This is the first album I've heard of late that rejects the techno-pop banality we've been drowning in without being overly self-conscious in its minimalism or wearing a chip on its shoulder.\"\n[Rolling Stone](https://bliptext.com/articles/rolling-stone) felt \"too much of Rattlesnakes [...] sounds like [Lou Reed](https://bliptext.com/articles/lou-reed), [Tom Verlaine](https://bliptext.com/articles/tom-verlaine) and Bob Dylan doing the best of Lloyd Cole... But if Rattlesnakes arrives critically short of the greatness claimed for it in the British rock press, its promise is not so easily dismissed... A few more songs like [\"Perfect Skin\"] and the man really could start a commotion.\"\nReviewing the 2004 reissue, [Mojo](https://bliptext.com/articles/mojo-magazine) hailed Rattlesnakes as \"a timeless pop album\".\n[Q](https://bliptext.com/articles/q-magazine) was less enthusiastic, observing that \"the results were, and remain, equal parts irritating and beguiling\".\nCalling the record \"one of the finest debuts of the '80s\", [AllMusic](https://bliptext.com/articles/allmusic) stated that \"Rattlesnakes is a [college rock](https://bliptext.com/articles/college-rock) masterpiece of smart, ironic lyrics and sympathetic folk-rock-based melodies\".\n\n# Track listing\nAll lyrics by [Lloyd Cole](https://bliptext.com/articles/lloyd-cole), all music composed by Cole except where noted.\n**Side one**\n**Side two**\n \"Charlotte Street\" – 3:55\n \"2cv\" – 2:52\n \"Four Flights Up\" (Cole, [Lawrence Donegan](https://bliptext.com/articles/lawrence-donegan)) – 2:37\n \"Patience\" (Cole, [Blair Cowan](https://bliptext.com/articles/blair-cowan-musician)) – 3:40\n \"[Are You Ready to Be Heartbroken?](https://bliptext.com/articles/are-you-ready-to-be-heartbroken)\" (Cole, Clark) – 3:06\n \nOn the North American version of the album, released on [Geffen Records](https://bliptext.com/articles/geffen-records), the tracks \"Perfect Skin\", \"Four Flights Up\" and \"Patience\" were remixed by [Ric Ocasek](https://bliptext.com/articles/ric-ocasek) of [new wave](https://bliptext.com/articles/new-wave-music) band [the Cars](https://bliptext.com/articles/the-cars).\n\n## 1985 CD bonus tracks\nThe album was first released on [CD](https://bliptext.com/articles/compact-disc) in April 1985, six months after the LP/cassette.\nThe CD included four additional songs, all of which had been [B-sides](https://bliptext.com/articles/a-side-and-b-side) to the singles.\n \"Sweetness\" (B-side of \"Rattlesnakes\") – 2:48\n \"Andy's Babies\" (Cole, Donegan) (B-side of \"Forest Fire\") – 2:50\n \"The Sea and the Sand\" (B-side of \"Perfect Skin\" 7\" and 12\") – 3:02\n \"You Will Never Be No Good\" (Cole, Cowan) (B-side of \"Perfect Skin\" 12\") – 2:41 \nThe CD also included the extended version of \"Forest Fire\", which had appeared on the 12\" version of the single. At 5:11 it is almost 40 seconds longer than both the 7\" single and original album versions.\nThe Deluxe Edition released in 2004 reverted to the shorter version.\n\n## 2004 Deluxe Edition\nIn 2004, the band reformed for a brief reunion tour of the UK and Ireland to commemorate the album's 20th anniversary.\nAt the same time, a 2-CD deluxe edition of the album was released on [Universal International](https://bliptext.com/articles/universal-international) and [Capitol Records](https://bliptext.com/articles/capitol-records) in North America.\nIt comprised the ten original album tracks on the first disc, and the four tracks from the CD version and 14 additional tracks, including demos, concert and radio performances, on the second disc.\nThe extended version of \"Forest Fire\" was not included on this edition.\nThe album was remastered by Gary Moore from the original master tapes where possible.\nThe CD booklet included comments from Cole and the rest of the band on the various tracks.\nThe BBC tracks were included on the album Live at the BBC Volume 1 released in 2007.\n**Disc one**: As original LP/cassette version of album.\n**Disc two**:\n**Demos**\n**Live**\n \"Glory\" ([Tom Verlaine](https://bliptext.com/articles/tom-verlaine)) Live at Nightmoves (15 June 1984) – 2:29\n \"Beautiful City\" Live at [The Marquee](https://bliptext.com/articles/marquee-club) (5 November 1984) – 3:43\n \"Charlotte Street\" Live at The Marquee (5 November 1984) – 3:40\n \"Sweetness\" Live at [The Barrowlands](https://bliptext.com/articles/barrowland-ballroom) (9 September 1985) – 2:42\n \"2cv\" Live at The Barrowlands (9 September 1985) – 2:50\n \n**Radio Sessions**\n \"Patience\" (Cole, Cowan) Saturday Live – [BBC Radio 1](https://bliptext.com/articles/bbc-radio-1) Session (26 May 1984) – 3:21\n \"Forest Fire\" [Richard Skinner](https://bliptext.com/articles/richard-skinner-broadcaster) Session – BBC Radio 1 (5 July 1984) – 4:13\n \"Speedboat\" Richard Skinner Session – BBC Radio 1 (5 July 1984) – 3:59\n \"Rattlesnakes\" (Cole, Clark) Richard Skinner Session – BBC Radio 1 (5 July 1984) – 3:29\n \n**B-sides/out takes**\n \"The Sea and the Sand\" – 3:03\n \"You Will Never Be No Good\" (Cole, Cowan) – 2:39\n \"Andy's Babies\" (Cole, Donegan) – 2:52\n \"Glory\" (Tom Verlaine) (B-side of 12\" of \"Forest Fire\") – 2:39 \"Sweetness\" – 2:51 \"Beautiful City\" (Rattlesnakes recording) – 3:37 \"Jesus Said\" (Cole, Clark) (B-side of \"[My Bag](https://bliptext.com/articles/my-bag-song)\") – 3:13 \n\n# Personnel\n**Lloyd Cole and the Commotions**\n**Production**\n**Artwork**\n\n# Charts\n\n# Certifications\n\n# Release history","revisionCount":0},"hasMore":false,"nextCursor":null}

History