Nightfall in Middle-Earth is the sixth studio album by the German power metal band Blind Guardian. It was released on 28 April 1998 through Virgin Records. It is a concept album based on J. R. R. Tolkien's The Silmarillion, a book of tales from the First Age of Middle-earth, recounting the troubled history of Beleriand as the Elves battle with the Dark Lord Morgoth. The album contains not only songs but also spoken parts narrating parts of the story. The cover depicts a scene from The Silmarillion, the elf Lúthien dancing in front of the Dark Lord Morgoth. Nightfall in Middle-Earth is widely regarded as one of Blind Guardian's best-known and best-received albums in their discography. It is also the first album with Oliver Holzwarth as guest musician, playing bass guitar instead of Hansi Kürsch. It was the first album by Blind Guardian to be released in the United States. The sales encouraged Century Media to release their entire back catalog in the US in 2007, at which point it was remastered and re-released, with a bonus track.

Musical style

The album has been described as "grandiose" and influenced by progressive rock. It has been compared to Queen's operatic approach with "dense choir-like vocal harmonies set against swirling multi-part guitar lines." Music critics have noted the fast, melodic guitar-work and the use of folk instruments, flutes, violins, and other instruments. The album's songs are varied, with "quick-paced numbers", ballads, and operatic pieces. Metal Hammer described it as "a banquet of medieval/folk, speed/power metal, and Queen-esque vocal twists, complete with interludes to illustrate the plot."

Thematic references

The album retells the events in The Silmarillion, beginning with an episode at the end: The cover art for the album features Lúthien dancing before Morgoth, from The Tale of Beren and Lúthien.

Reception

The album has drawn universally positive critical acclaim since its release. Writing for Sputnikmusic, Kyle Ward said that on this album "Blind Guardian laid down their finest instrumental performance to date. Everything goes hand in hand with each other, the guitars being nearly always furiously paced and extremely melodic, but not over-the-top and cheesy like many other power metal bands out there." He singled out Hansi Kürsch's vocals for particular praise, writing that "In every aspect and mood, Blind Guardian delivers in the vocal department. Whether the song is amazingly fast and melodic, like "Time Stands Still (at the Iron Hill)" or whether the mood is somber and slow ("The Eldar") you are sure to be hit in the face with a simply remarkable feat in terms of vocal achievement, one of the finest vocal performances I have ever seen on a metal album." AllMusic's Vincent Jeffries gave a similarly glowing assessment of the album, describing the album as "complete with anthemic choruses, spoken word story lines, and plenty of bombastic power metal punctuating every dramatic turn" and "perhaps Blind Guardian's most triumphant effort." In a volume edited by Tolkien scholar Bradford Lee Eden, Amy H. Sturgis writes that "although one can assume that Tolkien was not a headbanger", she finds that in the opinion of her students, the "driving energy" of the power metal sound is appropriate for the stories: "The music conveys rage and despair, which fits lyrics such as 'The doom of the Noldor drew near/ The words of a banished king, “I swear revenge!”'" Sturgis adds that this facilitates discussion of Tolkien's Christian view of the fall of man. Metal Hammer named it in its lists "The 10 Essential Symphonic Metal Albums" and in "The 10 Essential Power Metal Albums". ThoughtCo named it one of the essential power metal albums. Grimdark Magazine's C.T. Phipps called it one of his "favorite power metal band's greatest works". He states that it is told from the point of view of the Dark Lord Morgoth, with the story told both in the songs and in "little vignettes" in between. He describes the music as "not just your traditional power metal sound but there’s quite a bit of melodious, folksy Medieval sounding tunes spread between the fast guitar work."

Track listing

The tracks are:

Personnel

Charts