Contents
List of musical works in unusual time signatures
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16. The conventions of musical notation typically allow for more than one written representation of a particular piece. The chosen time signature largely depends upon musical context, personal taste of the composer or transcriber, and the graphic layout on the written page. Frequently, published editions were written in a specific time signature to visually signify the tempo for slow movements in symphonies, sonatas, and concerti. A perfectly consistent unusual metrical pattern may be notated in a more familiar time signature that does not correspond to it. For example, the Passacaglia from Britten's opera Peter Grimes consists of variations over a recurring bass line eleven beats in length but is notated in ordinary time, with each variation lasting 2 3/4 bars, and therefore commencing each time one crotchet earlier in the bar than the preceding one.
Upper number of 1
Upper number of 2
Upper number of 3
Upper number of 4
Upper number of 5
Upper number of 6
Upper number of 7
Upper number of 8
Upper number of 9
Time signatures that group nine beats into are very common in music. This section only lists other groupings, such as.
Upper number of 10
Upper number of 11
Upper number of 12
Upper number of 13
Upper number of 14
Upper number of 15
Upper number of 16
Upper number of 17
Upper number of 18
Upper number of 19
Upper number between 20 and 29
20
21
22
23
24
25
26
27
28
29
Upper number between 30 and 39
30
31
32
33
35
36
37
Upper number between 40 and 49
40
41
42
43
44
47
48
Upper number between 50 and 59
51
53
Upper number more than 59
77
86
101
256
Fractional time signatures
Irrational time signatures
Combined unusual signatures
Notes and references
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