Johann Jakob Bachofen

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Johann Jakob Bachofen (22 December 1815 – 25 November 1887) was a Swiss antiquarian, jurist, philologist, anthropologist, and professor of Roman law at the University of Basel from 1841 to 1844. Bachofen is most often connected with his theories surrounding prehistoric matriarchy, or Das Mutterrecht, the title of his seminal 1861 book Mother Right: an investigation of the religious and juridical character of matriarchy in the Ancient World. Bachofen assembled documentation demonstrating that motherhood is the source of human society, religion, morality, and decorum. He postulated an archaic "mother-right" within the context of a primeval Matriarchal religion or Urreligion. Bachofen became an important precursor of 20th-century theories of matriarchy, such as the Old European culture postulated by Marija Gimbutas from the 1950s, and the field of feminist theology and "matriarchal studies" in 1970s feminism.

Biography

Born into a wealthy Basel family active in the silk industry and attended the service of the French Reformed Church in Basel. After having attended the Gymnasium, Bachofen studied in Basel and in Berlin under August Boeckh, Karl Ferdinand Ranke and Friedrich Carl von Savigny as well as in Göttingen. After completing his doctorate in Basel, he studied for another two years in Paris, London and Cambridge. He was called to the Basel chair for Roman law in 1841. In 1842 he travelled to Rome accompanied by his father to, according to him, see his spiritual homeland with his own eyes. Having returned to Basel, he was called to the appellate court and his next book on Roman law received the acclaim of the academics. He would also become elected into the Grand Council of Basel. He retired from his professorship in 1844, after in the local press it was suggested the wealth of his family would have helped him assume the job at the university. In 1845 he also quit from the Grand Council. As a judge he would stay for twenty-five years and resign after his marriage to Louise Bachofen-Burckhardt. In 1848 he undertook a second journey to Rome in which he witnessed the Roman revolution, changed his research focus from the classical antiquity but the early antiquity. In 1851–1852 he travelled to Greece, Magna Graecia, and Etruria. He published most of his works as a private scholar.

Personal life

His mother Valeria Merian Bachofen died in 1856 but he kept living in the same house as his father. It was the same house which would become the seat of the Civil Register of Basel between 1962 and 1983 and part of the Antikenmuseum Basel und Sammlung Ludwig in the 1980s. In 1865, he married the at the time twenty five-years old Louise Bachofen-Burckhardt from a noble family of Basel. He would buy a house at the square before the Minster of Basel and a son was born. Louise Bachofen Burckhardt would live in the house at the Minster Square after her husband would die in 1877. Johann Jakob Bachofen is buried at the Wolfgottesacker cemetery in Basel. The tomb was sculptured by Richard Kissling.

Das Mutterrecht

Bachofen's 1861 Das Mutterrecht proposed four phases of cultural evolution which absorbed each other:

Reception

There was little initial reaction to Bachofen's theory of cultural evolution, largely because of his impenetrable literary style, but eventually, along with furious criticism, the book inspired several generations of ethnologists, social philosophers, and even writers: Lewis Henry Morgan; Friedrich Engels, who drew on Bachofen for The Origin of the Family, Private Property and the State; Thomas Mann; Jane Ellen Harrison, who was inspired by Bachofen to devote her career to mythology; Walter Benjamin; Carl Jung; Erich Fromm; Robert Graves; Rainer Maria Rilke; Joseph Campbell; Otto Gross; Erich Neumann and opponents such as Julius Evola. In the 1930s his work was acclaimed by several prominent academics in the German speaking world. Because of his theoretical commitment to Marxist historiography, Friedrich Engels faulted Bachofen for regarding "religion as the main lever of the world's history" and therefore considered it a "troublesome and not always profitable task to work your way through [his] big volume [i.e. Das Mutterrecht]". Nevertheless, he credited Bachofen with inaugurating research into the history of the family. He summarized Bachofen's views as follows: Emile Durkheim credited Bachofen with upsetting the "old conception" that the father must be "the essential element of the family". Before Bachofen, Durkheim claims that "no one had dreamed that there could be a family organization of which the paternal authority was not the keystone". In contrast to Engels and Durkheim, the American sociologist Carle Zimmerman criticized Bachofen's work for initiating a research paradigm in sociology that "completely divorced" the study of the family from history, replacing the "constant struggle between familism and individualism" with "imagination". He characterized Bachofen and the other members of this research paradigm, such as J.F. McLennan, L.H. Morgan, E.A. Westermark, and others, as "evolutionary cultists" and considered them to have "destroyed history as a fundamental study in social science" during the late nineteenth and early twentieth centuries. Bachofen's actual writings are that matriarchy originated as a rebellion against promiscuity, because of the sexual strains it caused them, to institute matriarchy and monogamy. As has been noted by Joseph Campbell in Occidental Mythology and others, Bachofen's theories stand in radical opposition to the Aryan origin theories of religion, culture and society, and both Campbell and writers such as Evola have suggested that Bachofen's theories only adequately explain the development of religion among the pre-Aryan cultures of the Mediterranean and the Levant, and possibly Southern Asia, but that a separate, patriarchal development existed among the Aryan tribes which conquered Europe and parts of Asia. Engels said that Bachofen had proved his theory that Matriarchy was promiscuous, but Bachofen argued the opposite, that Matriarchy introduced monogamy.

Works

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