{"history":[],"article":{"id":"b7c3a9fd-31a5-4868-a1c3-fd025cb172df","title":"Guillermo Schmidhuber","slug":"guillermo-schmidhuber","content":":::summary\n:::\n\n# \n**Guillermo Schmidhuber de la Mora** (born 1943, Mexico city) is a Mexican author, playwright, and critic.\n# [Guillermo Schmidhuber | upload.wikimedia.org/wikipedia/commons/e/e1/Guillermo3.jpg]\n\n# Career\nAmong his most notable works are: Obituary, The Useless Heroes, The Heirs of Segismund, The Secret Friendship of Juana and Dorothy, and Never Say Adiós to Columbus.\nHis novel Women of the Tequila Volcano was published simultaneously in Argentina and Mexico.\nHe has published several books on Mexican theatre, especially on the works of [Rodolfo Usigli](https://bliptext.com/articles/rodolfo-usigli) and [Elena Garro](https://bliptext.com/articles/elena-garro).\nAs a playwright he has won several prizes, including the Letras de Oro for best work in Spanish written in the United States (University of Miami 1987), and the National Award of Theatre by the Mexican government (INBA 1980).\nHis plays have been translated into German, French and English.\nHe was professor at the [University of Louisville](https://bliptext.com/articles/university-of-louisville) and the [University of Kentucky](https://bliptext.com/articles/university-of-kentucky) from 1986 to 1993.\nHe is currently a professor at the [University of Guadalajara](https://bliptext.com/articles/university-of-guadalajara), the second largest university in Mexico.\nHe helped discover two previously lost texts of [Sor Juana Inés de la Cruz](https://bliptext.com/articles/sor-juana-in-s-de-la-cruz); one of them, The Second Celestina, was published with a prologue by [Octavio Paz](https://bliptext.com/articles/octavio-paz).\nFrom 1995 to 2001 he served as the Cultural [Attaché](https://bliptext.com/articles/attach) for the Mexican state of [Jalisco](https://bliptext.com/articles/jalisco)\n\n# Selected work\nSchmidhuber's bibliography covers 120 books or chapters.\nSome of his writings are:\n\n# Family\nGuillermo Schmidhuber is the son of Guillermo Schmidhuber y Martínez (1913–1945) and Josefina de la Mora y Peña (1913–1990).\nHe lives in [Guadalajara](https://bliptext.com/articles/guadalajara), Mexico, where he continues writing plays and articles in the company of his wife and three children.\n\n# Notes and references\n\n## General citations\n

Dictionary of Mexican Literature (search term: \"G. Schmidhuber\"), Eladio Cortés (ed.), [Greenwood Press](https://bliptext.com/articles/greenwood-press) (1992);\n

Sueños: Aproximaciones a la Dramaturgia de Guillermo Schmidhuber, by Lourdes Betanzos, [Ediciones Universal](https://bliptext.com/articles/ediciones-universal) (2006);\n

\"El armario de las abuelas de Guillermo Schmidhuber de la Mora: Articulación de la imagen femenina en una genealogía de mujeres\" (en Antología crítica del teatro breve hispanoamericano, 1948–1993), by Magda Castellvi de Moor, Antología Crítica del Teatro Breve Hispanoamericano, Medellín (publisher), Colombia: [University of Antioquia](https://bliptext.com/articles/university-of-antioquia), 1997, pps.\n321–327;

\"Burdensome Heritages in Los Herederos de Segimuno,\" by Denise M. DiPuccio, Revista de Literatura Latinoamerciana, Vol. 19, No 2 (November 1990): 43–50;\n

\"El Valor de la Libertad en el Teatro de Guillermo Schmidhuber de la Mora,\" by Christine D. Martines, Latin American Theater Review, Vol 24, No. 1 (Fall 1990): 29–39;

\"Hablar del Teatro: Repeticióon y Espejismo,\" by Bonnie Hildebrand Reynolds, Revista del Ateneo Puertorriqueño, Vol 3, No. 9 (September 1993): 169–177;\n

[\"¿El teatro riñe con la política en Por las Tierras de Colón?,\"](https://bliptext.com/articles/undefined) by Lady Rojas-Tempe, Latin American Theatre Review, Vol. 25, No. 1 (Fall 1991): pps.\n115–122;

\n\n## Inline citations","current_revision":null,"created_by":"kACnuQmH5k9Nr5VNVEpVeg7XpvUmMctD","created_at":"2025-01-26T12:04:13.839Z","updated_at":"2025-01-26T12:04:13.839Z","search_vector":"'guillermo':1 'schmidhub':2","search_content":" \n \n\n# \n**Guillermo Schmidhuber de la Mora** (born 1943, Mexico city) is a Mexican author, playwright, and critic.\n# [Guillermo Schmidhuber | upload.wikimedia.org/wikipedia/commons/e/e1/Guillermo3.jpg]\n\n# Career\nAmong his most notable works are: Obituary, The Useless Heroes, The Heirs of Segismund, The Secret Friendship of Juana and Dorothy, and Never Say Adiós to Columbus.\nHis novel Women of the Tequila Volcano was published simultaneously in Argentina and Mexico.\nHe has published several books on Mexican theatre, especially on the works of [Rodolfo Usigli](https://bliptext.com/articles/rodolfo-usigli) and [Elena Garro](https://bliptext.com/articles/elena-garro).\nAs a playwright he has won several prizes, including the Letras de Oro for best work in Spanish written in the United States (University of Miami 1987), and the National Award of Theatre by the Mexican government (INBA 1980).\nHis plays have been translated into German, French and English.\nHe was professor at the [University of Louisville](https://bliptext.com/articles/university-of-louisville) and the [University of Kentucky](https://bliptext.com/articles/university-of-kentucky) from 1986 to 1993.\nHe is currently a professor at the [University of Guadalajara](https://bliptext.com/articles/university-of-guadalajara), the second largest university in Mexico.\nHe helped discover two previously lost texts of [Sor Juana Inés de la Cruz](https://bliptext.com/articles/sor-juana-in-s-de-la-cruz); one of them, The Second Celestina, was published with a prologue by [Octavio Paz](https://bliptext.com/articles/octavio-paz).\nFrom 1995 to 2001 he served as the Cultural [Attaché](https://bliptext.com/articles/attach) for the Mexican state of [Jalisco](https://bliptext.com/articles/jalisco)\n\n# Selected work\nSchmidhuber's bibliography covers 120 books or chapters.\nSome of his writings are:\n\n# Family\nGuillermo Schmidhuber is the son of Guillermo Schmidhuber y Martínez (1913–1945) and Josefina de la Mora y Peña (1913–1990).\nHe lives in [Guadalajara](https://bliptext.com/articles/guadalajara), Mexico, where he continues writing plays and articles in the company of his wife and three children.\n\n# Notes and references\n\n## General citations\n Dictionary of Mexican Literature (search term: \"G. Schmidhuber\"), Eladio Cortés (ed.), [Greenwood Press](https://bliptext.com/articles/greenwood-press) (1992);\n Sueños: Aproximaciones a la Dramaturgia de Guillermo Schmidhuber, by Lourdes Betanzos, [Ediciones Universal](https://bliptext.com/articles/ediciones-universal) (2006);\n \"El armario de las abuelas de Guillermo Schmidhuber de la Mora: Articulación de la imagen femenina en una genealogía de mujeres\" (en Antología crítica del teatro breve hispanoamericano, 1948–1993), by Magda Castellvi de Moor, Antología Crítica del Teatro Breve Hispanoamericano, Medellín (publisher), Colombia: [University of Antioquia](https://bliptext.com/articles/university-of-antioquia), 1997, pps.\n321–327; \"Burdensome Heritages in Los Herederos de Segimuno,\" by Denise M. DiPuccio, Revista de Literatura Latinoamerciana, Vol. 19, No 2 (November 1990): 43–50;\n \"El Valor de la Libertad en el Teatro de Guillermo Schmidhuber de la Mora,\" by Christine D. Martines, Latin American Theater Review, Vol 24, No. 1 (Fall 1990): 29–39; \n \"Hablar del Teatro: Repeticióon y Espejismo,\" by Bonnie Hildebrand Reynolds, Revista del Ateneo Puertorriqueño, Vol 3, No. 9 (September 1993): 169–177;\n [\"¿El teatro riñe con la política en Por las Tierras de Colón?,\"](https://bliptext.com/articles/undefined) by Lady Rojas-Tempe, Latin American Theatre Review, Vol. 25, No. 1 (Fall 1991): pps.\n115–122; \n\n## Inline citations","revisionCount":0},"hasMore":false,"nextCursor":null}

History