Dominique Moulon (born 1962) is a historian of art and technology, art critic and curator, specializing in French digital art. He is the author of the books Art contemporain nouveaux médias and Art Beyond Digital.

Background

Dominique Moulon began his activities as an art historian of new media art and computer art by obtaining a Diplôme National Supérieur d’Expression Plastique in 1987 from the Ecole Nationale Supérieure d’Art in Bourges France. In 1993 he obtained a Diplôme d’Etudes Approfondies en esthétique, sciences et technologies des arts from the University of Paris VIII. He obtained a PhD in Arts and sciences of the art from the University of Paris 1 Pantheon-Sorbonne in 2017. In 2002 he completed an extensive research project called Outils et Création Numérique, which in detail conveyed the techniques computer artists were using in France. He paid close attention to interactivity and developed a philosophical investigation of the real and the virtual, and its multisensory nature by stressing an aesthetics of technology. This work was conducted for the Recherche et Innovation department of the Délégation aux Arts Plastiques of the Ministère de la Culture et de la Communication. Here Moulon began his work documenting the historical record of the relationship between technology and digital forms of art, extending the historic work of Frank Popper, Jack Burnham and Gene Youngblood. Key to his initial thinking and activities as an aesthetician, cultural theorist, curator, teacher, and art critic was his encounter with the work of Pierre Restany, Jean-Louis Boissier, Roy Ascott, Edmond Couchot, Christine Buci-Glucksmann and Fred Forest. Working with the Délégation au Développement et aux Affaires Internationales, in 2004 he created a website to share his research at nouveauxmedias.net. In 2008 he initiated the English version of this website on newmediaart.eu. He also created mediaartdesign.net in 2011 and artinthedigitalage.net in 2018 to continue sharing his research on the relationship between art, technology and society. He was responsible for the digital art section of the French paper magazine "Images Magazine" from 2003 to 2010 and has contributed to the French Magazine “Art press” since 2013. He taught at the Parsons School of Design in Paris from 2014 to 2021 and has been was a regular visiting instructor since 2007 at the School of the Art Institute of Chicago. He has also curated exhibitions, such as L'art et le numérique en résonance at the art center of Mason Populaire in Montreuil, France, Variation Media Art Fair and Zero Autonomy at Cité International des Art in Paris, Human Learning at the Canadian Cultural Center in Paris, by focusing on the using of digital in art to highlight societal issues.

Exhibitions

Publications

Conférences on Art & Technology

Jury References

Footnotes