The Desert Rat Scrap Book (or DRSB) was a (roughly) quarterly, southwestern humor publication based in Thousand Palms, California. DRSB was published in editions of 10,000 to 20,000 copies, whenever its creator, Harry Oliver had sufficient material, and money enough to pay the printer. Forty-six issues were printed and distributed via Southern California bookstores and newsstands, and by mail worldwide. DRSB was devoted to lore, legends, lies and laughs of the American Southwest region, especially featuring prospectors and other desert rats. The publication was launched in late 1945 and ran through early 1967.

Structure

Format

The DRSB was published in a unique format, printed on both sides of heavy creme-colored stock of about 17 x 22 inches (43.3 x 55.5 centimetres) (Demy) paper size, folded double three times to yield "the smallest newspaper in the world and the only 5-page one... only newspaper in America you can open in the wind." Pages 1 and 5 (the front and back) are about 5.5 x 8.5 inches; page 2 is about 8.5 x 11 inches; page 3 is about 11 x 17 inches; page 5 is the full 17 x 22 inches. See these images, from the March 1953 issue of Arizona Highways magazine, for an illustration of the expansion.

Numbers

Each issue was a 'packet'; each volume was a 'pouch'. The first issue, dated FALL 1946 (but possibly printed on Oliver's birthday of 4 April 1946) was not numbered. The second issue, dated WINTER 1946–47, was numbered PACKET TWO OF POUCH ONE. All further editions were undated, and numbered as PACKET XXX OF POUCH YYY. Sometimes more than three months passed between editions, which is why PACKET TWO OF POUCH TWELVE (the final issue) appeared in 1967, over 20 years from the first.

Layout

PAGE ONE, rarely overprinted with one garish color, usually featured an Oliver woodcut or a cartoon (sometimes by Walt Disney or Hank Ketcham), and would often announce a theme for that issue – see Themes below. The issue contents might (or might not) generally follow that theme. In just a very few issues, a full-cover illustration would spread over both the first and last pages. PAGE TWO would usually (but not always) contain the masthead and boilerplate, something like the following:

<blockquote style="width:50ex"> This paper is not entered as 2nd class mail. It's a first class newspaper. Packet xxx of Pouch yyy Smallest newspaper in the world and the only 5 paged one. Published at Fort Oliver 1000 Palms, California Four Times a Year ON THE NEWS STANDS 10¢ A COPY But sometimes they don't have them. ONE YEAR BY MAIL – 4 COPIES 50¢ Darned if I am going to the trouble of mailing it for nothing. 10 Years ..................... $5.00 100 Years .....................$50.00 This offer expires when I do. Asbestos editions will be forwarded in case you don't make it. Published by HARRY OLIVER 1888–1999 Fort Commander, Publisher, Distributor, Lamp Lighter, Editor, Artist, Gardener, Janitor, Owner Following would be an 'editorial', various 'news' items and gags and aphorisms or factoids (original or clipped from other sources) under old-time [fonts](https://bliptext.com/articles/fonts) headings, interspersed with small [block prints](https://bliptext.com/articles/block-print) and/or [cartoons](https://bliptext.com/articles/cartoons) of desert characters. **PAGE THREE** usually contained more of the same, with some slightly longer text pieces, by Oliver or other writers. Many of these items were recycled from previous Oliver publications – Oliver was his own best plagiarist. **PAGE FOUR** had yet more of the same, often with even longer pieces (including a complete play once) that might address the issue's theme. Along the bottom of this largest page might be a few advertisements, for ghost towns and publications and date farms and rock shops. **PAGE FIVE**, above the mailing address block, might contain a list of conversation starters, or more gags and news and quotes, or a promotion for Oliver's audio album of readings, or maybe just a large woodcut and an essay or mini-epic poem. Just one issue, Packet Four of Pouch Four, named DESERT RAT HARRY OLIVER'S JOKE BOOK, did not follow the above formats. This is a 32-page book (plus covers), sized about 5.5 x 8.5 inches, folded and stapled. The contents are primarily the usual short gags. The heading on page one says FIRST DESERT JOKE BOOK. This was apparently an unsuccessful experiment.

Impact

Themes

Each issue bore on the front cover the name of a supposed theme for that issue, such as: Desert Burros, Death Valley, Good Old Desert Fun, Ghost Towns, Along the Border, Simplicity, Indians, Desert Folklore, Peg-Leg Smith's Gold, Lost Mines And Buried Treasure, Frontier Wild Women, Desert Rats & Hermits, Death Valley Scotty, etc. Besides these, Oliver would also deal with such themes as: The Lost Ship of the Desert; his Desert County secession movement and Keep the Desert Beautiful campaign; outlaws and lawmen; communicating with animals; and what others had written about him.

Ambiance

The above descriptions do nothing to convey the ambiance and attraction of the Desert Rat Scrap Book. It's like holding a booklet that becomes an old-time news sheet, filled with information old and new, real and imaginary, serious and hilarious, all informed by a strong and cantankerous personality. There's always another detail in another corner, another timeless tidbit waiting for a patient reader to stumble upon. Even when new, each issue is a small time machine.

Influence

Just as Oliver's design of Gold Gulch, at the San Diego World's Fair (California Pacific International Exposition) of 1935–36, strongly influenced the development of Western theme parks and frontier village reconstructions, so his DRSB can be seen to help shape subsequent Western Americana literary ephemera. The DRSB can also be seen as an ancestor of zine culture

Issues

Dating

Dating any specific issue has always been problematic. Postmarks on mailed issues are not always helpful. Harry Oliver produced all issues ('packets') of the first 11 pouches, often at very irregular intervals. Later issues depended heavily on reprinted items. Due to failing health and attitude, Oliver ceased publication in 1965. In 1967 he gave his operation to ex-merchant seaman Bill Powers, who produced two more issues (Packets One and Two of Pouch Twelve) and reprinted a few old issues, then abandoned the DRSB forever and disappeared, possibly returning to sea. First packet was printed on 4 April 1946. Packet 4, Pouch 5, printed on 4 April 1953.

Contents

NOTE: Following is a necessarily incomplete summary of DRSB 'articles'. This list may merely give a taste of the fractally-complex contents of each issue. Unless credited otherwise, text and art are presumably by Oliver.