{"history":[],"article":{"id":"f0524868-8bd8-4b83-a555-0ecce97a3b9d","title":"Can't Stand the Rezillos","slug":"can-t-stand-the-rezillos","content":":::summary\n![Can't Stand the Rezillos](https://upload.wikimedia.org/wikipedia/commons/3/37/Rezillos///-///Can%27t///Stand///The///Rezillos///album///cover.jpg)\n**Name:** Can't Stand the Rezillos \n**Type:** studio \n**Artist:** [the Rezillos](https://bliptext.com/articles/the-rezillos) \n**Released:** July 21, 1978 \n**Recorded:** February 1978 \n**Studio:** [Power Station](https://bliptext.com/articles/power-station-recording-studio) (New York City) \n**Genre:** [New wave](https://bliptext.com/articles/new-wave-music) · [punk rock](https://bliptext.com/articles/punk-rock) · [power pop](https://bliptext.com/articles/power-pop) \n**Length:** 32:06 \n**Label:** [Sire](https://bliptext.com/articles/sire-records) \n**Producer:** [Bob Clearmountain](https://bliptext.com/articles/bob-clearmountain) · [Tony Bongiovi](https://bliptext.com/articles/tony-bongiovi) · Lance Quinn · The Rezillos \n**Next Title:** Mission Accomplished... But the Beat Goes On \n**Next Year:** 1979 \n:::\n\n# \n**Can't Stand [the Rezillos](https://bliptext.com/articles/the-rezillos)** is the debut studio album by the [Edinburgh](https://bliptext.com/articles/edinburgh)-based [punk](https://bliptext.com/articles/punk-rock) band [the Rezillos](https://bliptext.com/articles/the-rezillos), released on [Sire Records](https://bliptext.com/articles/sire-records) on 21 July 1978.\nThe album has a more mainstream pop and rock and roll sound than the punk music of the time, and includes the UK top twenty hit \"Top of the Pops\", as well as several cover versions of 1960s songs: \"[Glad All Over](https://bliptext.com/articles/glad-all-over)\" (originally a hit for [the Dave Clark Five](https://bliptext.com/articles/the-dave-clark-five)); \"[Somebody's Gonna Get Their Head Kicked In Tonight](https://bliptext.com/articles/somebody-s-gonna-get-their-head-kicked-in-tonight)\" (originally by [Fleetwood Mac](https://bliptext.com/articles/fleetwood-mac)); and \"[I Like It](https://bliptext.com/articles/i-like-it-gerry-and-the-pacemakers-song)\", a [Gerry and the Pacemakers](https://bliptext.com/articles/gerry-and-the-pacemakers) hit.\nCan't Stand the Rezillos received positive reviews from the UK music magazines and reached number 16 on the [UK Albums Chart](https://bliptext.com/articles/uk-albums-chart).\nThe Rezillos split four months after the album's release, and the band did not make another studio album until their reformation in 2001 and the release of Zero in 2015, but Can't Stand the Rezillos has continued to receive critical acclaim since its release.\n\n# Recording\nThe band released their debut single \"Can't Stand My Baby\" in August 1977 on the independent Edinburgh-based record label Sensible Records.\nTowards the end of 1977 the band's energetic live shows were gaining the attention of the music press and several major record labels.\nThe group eventually signed with New York-based [Sire Records](https://bliptext.com/articles/sire-records) which at that point was regarded as the major label most sympathetic to the emerging punk and new wave music scene, having already signed the [Ramones](https://bliptext.com/articles/ramones) and [Talking Heads](https://bliptext.com/articles/talking-heads).\nThe band's second single, \"(My Baby Does) Good Sculptures\", which was originally also scheduled to be released on Sensible Records, was released in December on Sire instead.\nSire suggested to the Rezillos that they record the album in New York City, to which the band readily agreed, eager to travel outside the UK.\nThe album was recorded during February 1978 at producer [Tony Bongiovi](https://bliptext.com/articles/tony-bongiovi)'s studio the [Power Station](https://bliptext.com/articles/power-station-recording-studio), with Bongiovi and his assistant Lance Quinn originally scheduled to handle production duties.\nHowever, due to illness Bongiovi was unable to attend the majority of the recording sessions, and in his absence his engineer [Bob Clearmountain](https://bliptext.com/articles/bob-clearmountain) ended up overseeing most of the album: the band recognised Clearmountain's contribution to the record and pressed for his name to be included on the production credits.\n\n# Release\nAlthough mixing for the album was completed in March, its release was delayed for several months while Sire waited for its distribution deal with [Phonogram Records](https://bliptext.com/articles/phonogram-records) to run out and to be able to switch to [Warner Bros. Records](https://bliptext.com/articles/warner-music-group).\nThe Rezillos were angry with the lengthy delay, feeling that they were losing momentum and twice having to cancel a planned tour, and bass player [William Mysterious](https://bliptext.com/articles/alastair-donaldson) quit the band in frustration.\nCan't Stand the Rezillos was eventually released in July 1978.\nA third single, \"Top of the Pops\" was released to coincide with the album and became the band's biggest hit.\nThe single was a re-recorded version of the album track, featuring new bass player Simon Templar.\nIn 1993 the album was reissued on CD in a remastered and expanded version titled Can't Stand the Rezillos: The (Almost) Complete Rezillos.\nThis 28-track version comprised the original thirteen-track album, the group's November 1978 single \"Destination Venus\" and its [B-side](https://bliptext.com/articles/a-side-and-b-side) \"Mystery Action\", and the 1979 live album Mission Accomplished... But the Beat Goes On.\nThe final track of Mission Accomplished..., a live version of \"Destination Venus\", had to be dropped due to time constraints on the CD.\n\n# Critical reception\nThe reviews from the UK music press upon the album's release were very favourable.\nThe [NME](https://bliptext.com/articles/nme)'s [Paul Morley](https://bliptext.com/articles/paul-morley) described the album as \"13 quick cuts lustily shot through with cheap culture combinations ... The group's inventiveness does things with noise that are a little too clever for hippy-happy exhilaration; there's no chance of any calculated innocence here ... But it's all very clever: the parodied dissatisfaction of punk; the lashings of beat and controlled chaos; the frenzied passion of the production, and, above all else, lots of cosmic vibes, maan.\"\nIan Birch of Melody Maker said, \"There's no need for worried glances: the band have pulled the proverbial cat out of the bag. They have always been about wraparound, cartoon strip enjoyment and that's exactly what you get. Both sides seethe with great pop bluster which has been captured (as it should have been) in all its rough-edged immediacy.\"\nNick Tester of [Sounds](https://bliptext.com/articles/sounds-magazine) stated that the album was \"a definitive slice of the Scottish beat combo's past and present in full unabridged glory... No flabby excesses, the Rezillos stick 'wisely' to their ultra confident and rigid style, a format which sweeps through both sides with little hesitation or respite.\"\nThe one reserved review came from [Record Mirror](https://bliptext.com/articles/record-mirror), where despite her enthusiasm for the Rezillos' live act, Sheila Prophet felt that on record \"they retain all their crazed energy and off-the-wall humour, but it's pretty much just one joke, and that tends to wear thin after a while ... Really, the problem facing the Rezillos is the same one facing any group who choose humour and parody as their medium: what sounds amusing on first hearing can quickly degenerate into being simply a disposable novelty.\"\n[AllMusic](https://bliptext.com/articles/allmusic) enthused over the \"hyperactive tempos, raging guitar, abbreviated pop melodies, goofy and slightly off-kilter lyrics that display a fascination with junk culture and '60s pop... the real key to this album is its simple, good-hearted joie de vivre; funny-punk was rarely executed with the degree of skill, finesse, and pure delirious glee as the Rezillos summoned up on Can't Stand the Rezillos. It makes me smile more than any U.K. punk album ever made me, and it has the greatest [Dave Clark Five](https://bliptext.com/articles/dave-clark-five) cover ever committed to tape – what greater recommendation could you ask for? A triumph.\"\n[Trouser Press](https://bliptext.com/articles/trouser-press) called the band \"a blast of fresh air compared to the more serious bands of new wave's first charge\" and praised the album as \"an action-packed document of their pop/[camp](https://bliptext.com/articles/camp-style) approach\".\n\n## Accolades\nIn 1994, [All Time Top 1000 Albums](https://bliptext.com/articles/all-time-top-1000-albums) named Can't Stand the Rezillos one of the 50 best punk albums of all time.\nThe compilers stated that the Rezillos were \"exuberant almost to the point of hysteria\", creating \"a body of work full of verve, style and humour\", which this album \"encapsulates to perfection\".\nPunk aficionados acclaimed the album.\nIn March 2003, [Mojo](https://bliptext.com/articles/mojo-magazine) magazine ranked the LP in its list of the Top 50 Punk Albums.\n\n# Track listing\nAll tracks written and composed by [John Callis](https://bliptext.com/articles/jo-callis) except where indicated.\n**Side one**\n**Side two**\n\n## Can't Stand The Rezillos: The (Almost) Complete Rezillos\nLive tracks (originally from Mission Accomplished... But the Beat Goes On):\n

\"Top of the Pops\" – 2:54\n

\"Mystery Action\" – 2:46\n

\"Somebody's Gonna Get Their Head Kicked In Tonight\" (Jeremy Spencer) – 1:48\n

\"Thunderbirds Are Go\" – 2:31\n

\"Cold Wars\" – 2:56\n

\"Teenbeat\" – 3:08\n

\"No\" – 2:15\n

\"[Land of a Thousand Dances](https://bliptext.com/articles/land-of-a-thousand-dances)\" ([Chris Kenner](https://bliptext.com/articles/chris-kenner), [Fats Domino](https://bliptext.com/articles/fats-domino)) – 2:14\n

\"[I Need You](https://bliptext.com/articles/i-need-you-the-kinks-song)\" ([Ray Davies](https://bliptext.com/articles/ray-davies)) – 1:49\n

\"Culture Shock\" – 3:11\n

\"Getting Me Down\" – 2:01\n

\"[Ballroom Blitz](https://bliptext.com/articles/the-ballroom-blitz)\" ([Mike Chapman](https://bliptext.com/articles/mike-chapman), [Nicky Chinn](https://bliptext.com/articles/nicky-chinn)) – 4:47\n

\"(My Baby Does) Good Sculptures\" – 3:20\n\n\n# Personnel\n**Additional personnel**\n\n# Release history","current_revision":null,"created_by":"kACnuQmH5k9Nr5VNVEpVeg7XpvUmMctD","created_at":"2025-01-25T21:37:13.192Z","updated_at":"2025-01-25T21:37:13.192Z","search_vector":"'rezillo':5 'stand':3","search_content":" \n \n**Name:** Can't Stand the Rezillos \n**Type:** studio \n**Artist:** [the Rezillos](https://bliptext.com/articles/the-rezillos) \n**Released:** July 21, 1978 \n**Recorded:** February 1978 \n**Studio:** [Power Station](https://bliptext.com/articles/power-station-recording-studio) (New York City) \n**Genre:** [New wave](https://bliptext.com/articles/new-wave-music) · [punk rock](https://bliptext.com/articles/punk-rock) · [power pop](https://bliptext.com/articles/power-pop) \n**Length:** 32:06 \n**Label:** [Sire](https://bliptext.com/articles/sire-records) \n**Producer:** [Bob Clearmountain](https://bliptext.com/articles/bob-clearmountain) · [Tony Bongiovi](https://bliptext.com/articles/tony-bongiovi) · Lance Quinn · The Rezillos \n**Next Title:** Mission Accomplished... But the Beat Goes On \n**Next Year:** 1979 \n \n\n# \n**Can't Stand [the Rezillos](https://bliptext.com/articles/the-rezillos)** is the debut studio album by the [Edinburgh](https://bliptext.com/articles/edinburgh)-based [punk](https://bliptext.com/articles/punk-rock) band [the Rezillos](https://bliptext.com/articles/the-rezillos), released on [Sire Records](https://bliptext.com/articles/sire-records) on 21 July 1978.\nThe album has a more mainstream pop and rock and roll sound than the punk music of the time, and includes the UK top twenty hit \"Top of the Pops\", as well as several cover versions of 1960s songs: \"[Glad All Over](https://bliptext.com/articles/glad-all-over)\" (originally a hit for [the Dave Clark Five](https://bliptext.com/articles/the-dave-clark-five)); \"[Somebody's Gonna Get Their Head Kicked In Tonight](https://bliptext.com/articles/somebody-s-gonna-get-their-head-kicked-in-tonight)\" (originally by [Fleetwood Mac](https://bliptext.com/articles/fleetwood-mac)); and \"[I Like It](https://bliptext.com/articles/i-like-it-gerry-and-the-pacemakers-song)\", a [Gerry and the Pacemakers](https://bliptext.com/articles/gerry-and-the-pacemakers) hit.\nCan't Stand the Rezillos received positive reviews from the UK music magazines and reached number 16 on the [UK Albums Chart](https://bliptext.com/articles/uk-albums-chart).\nThe Rezillos split four months after the album's release, and the band did not make another studio album until their reformation in 2001 and the release of Zero in 2015, but Can't Stand the Rezillos has continued to receive critical acclaim since its release.\n\n# Recording\nThe band released their debut single \"Can't Stand My Baby\" in August 1977 on the independent Edinburgh-based record label Sensible Records.\nTowards the end of 1977 the band's energetic live shows were gaining the attention of the music press and several major record labels.\nThe group eventually signed with New York-based [Sire Records](https://bliptext.com/articles/sire-records) which at that point was regarded as the major label most sympathetic to the emerging punk and new wave music scene, having already signed the [Ramones](https://bliptext.com/articles/ramones) and [Talking Heads](https://bliptext.com/articles/talking-heads).\nThe band's second single, \"(My Baby Does) Good Sculptures\", which was originally also scheduled to be released on Sensible Records, was released in December on Sire instead.\nSire suggested to the Rezillos that they record the album in New York City, to which the band readily agreed, eager to travel outside the UK.\nThe album was recorded during February 1978 at producer [Tony Bongiovi](https://bliptext.com/articles/tony-bongiovi)'s studio the [Power Station](https://bliptext.com/articles/power-station-recording-studio), with Bongiovi and his assistant Lance Quinn originally scheduled to handle production duties.\nHowever, due to illness Bongiovi was unable to attend the majority of the recording sessions, and in his absence his engineer [Bob Clearmountain](https://bliptext.com/articles/bob-clearmountain) ended up overseeing most of the album: the band recognised Clearmountain's contribution to the record and pressed for his name to be included on the production credits.\n\n# Release\nAlthough mixing for the album was completed in March, its release was delayed for several months while Sire waited for its distribution deal with [Phonogram Records](https://bliptext.com/articles/phonogram-records) to run out and to be able to switch to [Warner Bros. Records](https://bliptext.com/articles/warner-music-group).\nThe Rezillos were angry with the lengthy delay, feeling that they were losing momentum and twice having to cancel a planned tour, and bass player [William Mysterious](https://bliptext.com/articles/alastair-donaldson) quit the band in frustration.\nCan't Stand the Rezillos was eventually released in July 1978.\nA third single, \"Top of the Pops\" was released to coincide with the album and became the band's biggest hit.\nThe single was a re-recorded version of the album track, featuring new bass player Simon Templar.\nIn 1993 the album was reissued on CD in a remastered and expanded version titled Can't Stand the Rezillos: The (Almost) Complete Rezillos.\nThis 28-track version comprised the original thirteen-track album, the group's November 1978 single \"Destination Venus\" and its [B-side](https://bliptext.com/articles/a-side-and-b-side) \"Mystery Action\", and the 1979 live album Mission Accomplished... But the Beat Goes On.\nThe final track of Mission Accomplished..., a live version of \"Destination Venus\", had to be dropped due to time constraints on the CD.\n\n# Critical reception\nThe reviews from the UK music press upon the album's release were very favourable.\nThe [NME](https://bliptext.com/articles/nme)'s [Paul Morley](https://bliptext.com/articles/paul-morley) described the album as \"13 quick cuts lustily shot through with cheap culture combinations ... The group's inventiveness does things with noise that are a little too clever for hippy-happy exhilaration; there's no chance of any calculated innocence here ... But it's all very clever: the parodied dissatisfaction of punk; the lashings of beat and controlled chaos; the frenzied passion of the production, and, above all else, lots of cosmic vibes, maan.\"\nIan Birch of Melody Maker said, \"There's no need for worried glances: the band have pulled the proverbial cat out of the bag. They have always been about wraparound, cartoon strip enjoyment and that's exactly what you get. Both sides seethe with great pop bluster which has been captured (as it should have been) in all its rough-edged immediacy.\"\nNick Tester of [Sounds](https://bliptext.com/articles/sounds-magazine) stated that the album was \"a definitive slice of the Scottish beat combo's past and present in full unabridged glory... No flabby excesses, the Rezillos stick 'wisely' to their ultra confident and rigid style, a format which sweeps through both sides with little hesitation or respite.\"\nThe one reserved review came from [Record Mirror](https://bliptext.com/articles/record-mirror), where despite her enthusiasm for the Rezillos' live act, Sheila Prophet felt that on record \"they retain all their crazed energy and off-the-wall humour, but it's pretty much just one joke, and that tends to wear thin after a while ... Really, the problem facing the Rezillos is the same one facing any group who choose humour and parody as their medium: what sounds amusing on first hearing can quickly degenerate into being simply a disposable novelty.\"\n[AllMusic](https://bliptext.com/articles/allmusic) enthused over the \"hyperactive tempos, raging guitar, abbreviated pop melodies, goofy and slightly off-kilter lyrics that display a fascination with junk culture and '60s pop... the real key to this album is its simple, good-hearted joie de vivre; funny-punk was rarely executed with the degree of skill, finesse, and pure delirious glee as the Rezillos summoned up on Can't Stand the Rezillos. It makes me smile more than any U.K. punk album ever made me, and it has the greatest [Dave Clark Five](https://bliptext.com/articles/dave-clark-five) cover ever committed to tape – what greater recommendation could you ask for? A triumph.\"\n[Trouser Press](https://bliptext.com/articles/trouser-press) called the band \"a blast of fresh air compared to the more serious bands of new wave's first charge\" and praised the album as \"an action-packed document of their pop/[camp](https://bliptext.com/articles/camp-style) approach\".\n\n## Accolades\nIn 1994, [All Time Top 1000 Albums](https://bliptext.com/articles/all-time-top-1000-albums) named Can't Stand the Rezillos one of the 50 best punk albums of all time.\nThe compilers stated that the Rezillos were \"exuberant almost to the point of hysteria\", creating \"a body of work full of verve, style and humour\", which this album \"encapsulates to perfection\".\nPunk aficionados acclaimed the album.\nIn March 2003, [Mojo](https://bliptext.com/articles/mojo-magazine) magazine ranked the LP in its list of the Top 50 Punk Albums.\n\n# Track listing\nAll tracks written and composed by [John Callis](https://bliptext.com/articles/jo-callis) except where indicated.\n**Side one**\n**Side two**\n\n## Can't Stand The Rezillos: The (Almost) Complete Rezillos\nLive tracks (originally from Mission Accomplished... But the Beat Goes On):\n \"Top of the Pops\" – 2:54\n \"Mystery Action\" – 2:46\n \"Somebody's Gonna Get Their Head Kicked In Tonight\" (Jeremy Spencer) – 1:48\n \"Thunderbirds Are Go\" – 2:31\n \"Cold Wars\" – 2:56\n \"Teenbeat\" – 3:08\n \"No\" – 2:15\n \"[Land of a Thousand Dances](https://bliptext.com/articles/land-of-a-thousand-dances)\" ([Chris Kenner](https://bliptext.com/articles/chris-kenner), [Fats Domino](https://bliptext.com/articles/fats-domino)) – 2:14\n \"[I Need You](https://bliptext.com/articles/i-need-you-the-kinks-song)\" ([Ray Davies](https://bliptext.com/articles/ray-davies)) – 1:49\n \"Culture Shock\" – 3:11\n \"Getting Me Down\" – 2:01\n \"[Ballroom Blitz](https://bliptext.com/articles/the-ballroom-blitz)\" ([Mike Chapman](https://bliptext.com/articles/mike-chapman), [Nicky Chinn](https://bliptext.com/articles/nicky-chinn)) – 4:47\n \"(My Baby Does) Good Sculptures\" – 3:20\n \n\n# Personnel\n**Additional personnel**\n\n# Release history","revisionCount":0},"hasMore":false,"nextCursor":null}

History