The Śatakatraya,**** (also known as**** , ) refers**** to**** three Indian**** collections of**** Sanskrit**** poetry****,**** containing**** a hundred verses**** each****.**** The three śataka's are known as the, , and , and are attributed to Bhartṛhari c. 5th century CE.

The three Śatakas

Indian scholar K. M. Joglekar in his translation work 'Bhartrihari: Niti and Vairagya Shatakas' says that, "The Shatakas were composed when Bhartrihari had renounced the world. It is not easy to say in what order they were written, from the subject matter of each of them, it is likely that Shringarashatak was written first, then followed the Niti and lastly the Vairagyashataka". The Nītiśataka deals with nīti, roughly meaning ethics and morality. Śṛṅgāraśataka deals with love and women. Vairāgyaśataka contains verses on renunciation. The Sanskrit scholar Barbara Stoler Miller translated these sections as Among Fools and Kings, Passionate Encounters and Refuge in the Forest respectively. Especially in the Vairāgyaśataka, but also in the other two, his poetry displays the depth and intensity of his renunciation as he vacillates between the pursuits of fleshly desires and those of the spirit. Thus it reveals the conflict experienced "between a profound attraction to sensual beauty and the yearning for liberation from it", showing how "most great Indian art could be at once so sensuous and so spiritual". There is great variation between versions of his Śatakas, and together the available manuscripts have over 700 verses instead of 300. D. D. Kosambi identified about 200 verses that appear in all manuscripts. Despite the variation in content, there is remarkable similarity in theme; Kosambi believes that each śataka came to attract a certain type of stanza similar to the ones present in the original collection. Moreover, at least among the 200 "common" stanzas, there is a distinctive voice of irony, scepticism and discontent, making the attribution to a single author plausible. According to one legend associated with him (possibly in confusion with the legend of king Bharthari), he was a king, who once gave a magic fruit to his wife, who gave it to another man, who in turn gave it to another woman, and finally it reached the king again. Reflecting on these events, he realised the futility of love and worldly pleasures, renounced his kingdom, retired to the forest, and wrote poetry. This is connected with a famous verse that appears in the collections: "Devanāgari : यां चिन्तयामि सततं मयि सा विरक्ता साप्यन्यम् इच्छति जनं स जनो ऽन्यसक्तः । अस्मत्कृते च परिशुष्यति काचिद् अन्या धिक् तां च तं च मदनं च इमां च मां च ॥ IAST : yāṃ cintayāmi satataṃ mayi sā viraktā sāpyanyam icchati janaṃ sa jano 'nyasaktaḥ । asmatkṛte ca pariśuṣyati kācid anyā dhik tāṃ ca taṃ ca madanaṃ ca imāṃ ca māṃ ca ।।" "The maid my true heart loves would not my true love be; She seeks another man; another maid loves he; And me another maid her own true love would see: Oh, fie on her and him and Love and HER and me!"

• Translation by Ryder However, the verse is probably a later addition, and many of the other verses suggest that the poet was not a king but a courtier serving a king — thus there are many verses rebuking the foolish pride of kings, and bemoaning the indignity of servitude.

Nītiśataka

The Sanskrit scholar and commentator Budhendra has classified the Nītiśhataka into the following sections, each called a paddhati: संगीतसाहित्यकलाविहीनः साक्षात् पशुःपुच्छविषाणहीनः | तृणं नखादन्नपिजीवमानः तद्भागधेयंपरमंपशूनाम् || saṅgīta-sāhitya-kalā-vihīnaḥ sākṣāt paśuḥ puccha-viṣāṇa-hīnaḥ | tṛṇaṃ na khādann api jīvamānaḥ tad bhāgadhēyaṃ paramaṃ paśūnām || This verse means that a human devoid of poetry, music and arts is equivalent to an animal which does not have horns and tails. It is the great good luck of other beasts that they don't graze grass, and still survive.

Editions of the Śatakatraya

Without translation

Sanskrit with translation

Translation

(without Sanskrit text)