A Sunday in Kigali

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A Sunday in Kigali (original French title: Un dimanche à Kigali) is a 2006 Canadian feature film set during the Rwandan genocide. It is directed by Robert Favreau and based on the novel A Sunday at the Pool in Kigali by Gil Courtemanche.

Plot

Bernard Valcourt, a documentary filmmaker and journalist, sets off to Kigali to film a documentary about AIDS. He gets caught up in the turmoil of horrific events involving Hutus and Tutsis that tragically leads to genocide. During his stay at the Hôtel des Mille Collines, Valcourt falls in love with a beautiful, shy waitress named Gentille. Gentille serves drinks to the diplomats, officials, and Rwandan bourgeoisie who surround the hotel swimming pool every Sunday. While Valcourt's longing for Gentille increases, the country moves towards civil war, and the brutal violence of the Rwandan genocide separates them. A few months go by and Bernard returns to Rwanda, frantically seeking Gentille in the midst of the chaos. Most of the narrative unfolds in retrospect.

Release

A Sunday in Kigali grossed $1.1 million Canadian in Quebec in the fall of 2006, and is set for September 23 release in English-speaking Canada. Video and cable are the best options in other territories.

Cast

Reception

Box office

Eight weeks into its release, Robert Favreau's Rwandan genocide drama is the first Quebecois film of 2006 to pass the CAN $1m benchmark at the local box office.

Critical response

On Rotten Tomatoes, the film has an approval rate of 88% based on 59 reviews. The sites' critical consensus reads, "A strident, well-meaning film that makes the mistake of doing all our thinking and feeling for us." Geoff Pevere give the film a 2 out of 4 rating, stating "here's something about the idea of weeping over a single love affair ... while hundreds of thousands are being slaughtered that verges on its own form of myopic irresponsibility." Writer for Variety Robert Koehler also gave it 2 out of 4 stars and said: "Pic is truly undone by a bizarre structure that constantly cuts between the timeframe before the 100-day massacre and the aftermath."

Accolades

Since its release, the film has been nominated for 42 festivals and awards.

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